Like all current cinema events, the 2020 iteration of the Bentonville Film Festival is taking place almost exclusively online. Next week, the festival started by Oscar-winner Geena Davis will take place in Northwest Arkansas as pure usual, but with on-the-ground screenings taking place at a local drive-in—with nearly everything else going virtual. Panel discussions, celebrity guests and a great number of films will be part of this year’s festival, and its

This year, there was a before- and an after-Tarantino Cannes Festival. Quentin Tarantino's new film “Once upon a time in Hollywood” was the marker. And it was also the most anticipated film of the 2019 festival. What a party! There is no other American auteur who can command the kinds of huge crowds like the ones seen yesterday in Cannes, when he and the cast walked the red carpet. The Croisette was on fire! (and the day after

(this is Screen Comment's second review of "Nebraska") American indie cinema also has its giants. Just like his cohorts Wes Anderson and Jason Reitman Alexander Payne has, after directing only a few movies, spearheaded this other cinema in which America and its history fill the screen and the script. As it were in “Nebraska” America is the focus. Not the one that’s portrayed by superheroes but indeed the one that we've come to gradually forget.

In “Nebraska” Omaha-born director Alexander Payne is right back where he belongs. His last film, “The Descendants,” (REVIEW) aimed to capture the secret turmoil of seemingly-zen Hawaiians—misery in paradise—but it registered more like picture-perfect George Clooney sulking through a picture-perfect vacation. Even at its most poignant, the tropical setting made the pathos feel forced. Here, the desolation of the surroundings

Alexander Payne's new film "Nebraska," a melancholy road movie shot in black and white with some hilarious moments, is a worthy contender for a Grand Prix or a Jury prize. And yet, to say that I was less than enthusiastic going to the 8:30 screening of this film is an understatement: I wasn't a fan of "The Descendants" and a black and white movie, well, it's a risky proposition for any film.