I never get my prediction for Best Movie right. This year, I did. Sure, you will claim that “Argo” was a shoo-in, what with the trail of fire it’s been leaving behind it these past few months (unstoppable, that movie was, picking up multiple nods along the way), and you’re right. “Argo” is where the money’s at. Although shot in Turkey, the Ben Affleck-directed political thriller takes place in Tehran, Iran, right in the
Not ones to be outdone Iran’s government is funding a film about the American hostage crisis of 1979 in response to what they consider the “distorted” vision put forth in “Argo,” directed by Ben Affleck and which garnered major accolades at the Golden Globes this past weekend. "The screenplay for ‘Setad Moshtarak’ (‘Chiefs of Staff’ in Farsi) was approved by the authorities and we expect to get the shooting budget shortly," Iranian director Ata
"Argo" is a great thriller, well-acted (special kudos to John Goodman and Alan Arkin), with spectacular cinematography in an Istanbul passing off as Tehran and a nail-bitingly suspenseful last half-hour. Incredibly, the far-fetched story really happened. The year is 1979 with Iran’s Islamic Revolution in full swing. In November, when the terminally ill Shah who has left Iran months before is allowed into the United States for huma-
Ben Affleck’s gradual rise from the “Gigli” debacle to alpha-director-status is doubtlessly one of Hollywood’s best comebacks. And yet, the actor-director faces his toughest challenge yet with “Argo,” out in theaters today, a fresh take on a controversial international affairs incident. Six American diplomats stuck inside Tehran during the 1979-80 events there (hostage crisis, etc.) are rescued by a CIA extraction team under the pretense that