In the male-dominated film business women filmmakers have always been too small a minority. There is progress being made but women’s voices deserve to be heard more often.

My look at Women filmmakers continues with Dee Rees, film director and screenwriter. Rees is an alumna of New York University's graduate film program and a Sundance

What would it be like if you existed six minutes in the future, ahead of everyone? Things around you look familiar, being young is still cool and institutional repression hasn’t caught on with your latest act of rebellion. This is the world of Karim Huu Do, director.Some of the most esthetically-intense, visually-rousing short films come from advertising work. And some of the most esthetically-intense, visually-rousing short films

Race, class, social injustice. Our country has struggled with these since forever and cinema provides the means to address issues and heed the call of activism and resistance through art.In these dangerously unstable times “Blindspotting” has led the charge and turned the camera on us. When the film came out last year, it was a striking debut for first-time filmmaker Carlos Lopez Estrada (Estrada had directed

Fleeing Colombia and the FARC conflict after her husband died a woman and her two children arrive on an island named Fantasia located in the middle of the Amazon. This place sits at the crossroads of Colombia, Peru and Brazil, without belonging to any of those countries. It's a mysterious outpost in a kind of netherworld where the dead and the alive coexist. They can now look for the deceased husband, and father, and avoid being noticed too much.

Korean cinema was born at a time when the peninsula was still under Japanese control (since 1910). It immediately became a tool of resistance, with communists, especially, seizing on this opportunity. Na Un-gyu directed, in 1926, the first known (but since lost) film, “Arirang.”And yet, cinema as we know it today was borne of the civil war (1950-1953), a conflict that resulted in the country being split. North Korean cinema

While movie studios the world over scramble to create their own answers to the cultural/financial juggernaut of the Marvel Cinematic Universe, M. Night Shyamalan, the much-beloved, often-maligned creator of highly personal and unapologetically idiosyncratic thrillers, has managed it on his own, entirely. Shyamalan has finally completed his Eastrail 177 Trilogy, nineteen years in the making