“Run Rabbit Run”, written by Hannah Kent and directed by Diana Reid, is an Australian creeper that is essentially more of a psychological thriller than full-on horror. Sarah Snook stars as Sarah, a fertility doctor still mourning the death of her father, whose daughter Mia (Lily LaTorre) begins to inhabit strange behavior. Along with claiming she misses her grandmother (who she never met), the young girl begins to believe she is Alice, Sarah’s sister who disappeared

In director Rachel Lambert’s “Sometimes I Think About Dying,” Daisy Ridley’s Fran is there, but she isn’t there. Life is moving, but not forward. Existing is questionable.

Adapted from a 2019 short film, one that was based on the play “Killers” by Kevin Armento, Lambert’s film gives Daisy Ridley the proper role to showcase her impressive talents in. In a dreary Oregon town

In the classic 1969 Western “Butch Cassidy and the Sundance Kid” Robert Redford’s Sundance teases Paul Newman’s Cassidy about his big schemes. Butch replies, “Boy, I got vision and the rest of the world wears bifocals.”

Both the character of the Sundance Kid and, most importantly, the actor who played him, took that line to heart. In 1978, Sterling Van Wagman

PALM SPRINGS, Calif.—Editing a manuscript might not be the most cinematic endeavors about which to make a documentary—unless the parties in question are Robert Caro and Robert Gottlieb. For a half-century, Gottlieb has edited Caro’s work, including the not-yet-completed final volume of Caro’s definitive biography of Lyndon Johnson. “Turn Every Page — The Adventures of Robert Caro and

PALM SPRINGS, Calif.—Trees may be alive, but they certainly aren’t sentient enough to distinguish one race of people from another. Humans, however, are—and in Palm Springs a specific group of trees was effectively weaponized as a means of separating a historically Black community from the rest of this desert enclave 100 miles east of Hollywood.

The new documentary

The documentary filmmaker brothers Jules and Gédéon Naudet know something of capturing trauma on film. On September 11th, 2001, they were embedded with a New York Fire Department unit when the first plane struck the World Trade Center, capturing the only known footage of that initial horror. Their resulting film, “9/11,” provides a firsthand account of the heroism of the firefighters who ran to the inferno and is capped by a tearful

Nobody said it was easy. Being a film critic in the year 2022 was certainly difficult, as this year goes down in the history books as one of the worst I’ve ever seen.

2022 saw one of the most lackluster of all Sundance Festivals (although I found a few gems), David O. Russell made his only bad film (“Amsterdam”) and the public turned their backs on directors such as Steven Spielberg