NEW YORK - John Leguizamo has not forgotten his roots in Queens and his upbringing in his Puerto Rican family has provided the basis for his one-man shows, including “Ghetto Klown,” which ran on Broadway in the late aughts. Now the actor is bringing his show to Rikers Island, the notorious prison, to not only perform it for incarcerated men, but also to speak candidly with prisoners who have dreams and hopes for going legitimate

Paris-- The winners have been announced and they are as follows:

The Short Film Palme D'Or goes to Jinanying Chen for "The Water Murmurs"

Special mention in the short film category for "Lori" by Abinash Bikram Shah

Special mention: "Plan 75" by Hayakawa

Sir Anthony Hopkins, 83, will play Freud in an adaptation [...]

CANNES, France -- There were problems with booking seats to the screening of James Gray's latest film, "Armageddon Time," this caused frustration. Finally, I managed to snag a ticket to join my group. Gray doesn't come to the Cannes Festival often.

Fascinated by marginal characters left to fend for themselves, like Joaquin Phoenix's Leonard Kraditor of "Two Lovers," James Gray

CANNES, France -- Making a movie about a donkey,or to be more specific, from a donkey's point of view is an audacious project. But that's just what Jerzy (pronounced "Ya-shee") Skolimosky did and his film, a slow and oppressive rumination on humans and their relationship to the animal world was screened here on Thursday. A circus troupe. A grey donkey and his handler Kassandra. The animal seems happy, even though

CANNES, France — Marco Bellocchio's "Esterno Notte" ("Exterior Night") is an essential and dramatic film that soberly tells the truth of an important period of Italy’s history, a pivotal moment, the kidnapping and killing of Aldo Moro, former President of Italy.

"Esterno Notte" is a made-for-TV miniseries, six episodes that were combined and screened on Wednesday in Cannes in the Cannes premiere

CANNES, France — I have an ear-to-ear smile plastered on my face as I just watched the trailer for "Coupez!" the next-day refresher after taking in the movie last night here in Cannes, where it opened the 75th edition of the festival. At the screening I laughed and I laughed and I laughed again. Because the film is brilliant and handled with maestria by Michel Hazanavicius (“The Artist”) and it's not afraid to be an honest-to-goodness comedy, one that shows the mishap potential