The Cannes Festival's Thierry Frémaux and Gilles Jacob will be holding their annual press conference this Thursday here in Paris. The full list of films competing for the Palme D'Or and the Un Certain Regard will be revealed then. Already confirmed for the May 14-25 festival is opener "Grace of Monaco" starring Nicole Kidman as Grace Kelly. Here's our guess as to who else will be on that list:

"Party Girl," a first film written and directed by Marie Amachoukeli, Claire Burger and Samuel Theis, has been chosen to open the Official Selection of Un Certain Regard. Last year, "The Bling Ring" by Sofia Coppola opened the program.

In "Party Girl" Angélique, a sixty year-old night club hostess and bon vivant feels that she has reached the end of the line. On an impulse she agrees to marry club

Alain Resnais, master of irony and, in his last decades, of whimsical comedy, would have appreciated the fact that his latest oeuvre, “Aimer, Boire, Chanter,” opened in Paris on March 26, not even a month after he himself took his final bow at age 91, on March 1st (see our OBITUARY)

The romp, set in the English countryside and based on an Alan Ayckbourn play, “Life of Riley” never introduces

"This picture was going to change the public's perceptions" (Alejandro Jodorowsky)

Alejandro Jodorowsky's "Dune" project is a sci-fi geek's ultimate fantasy, the holy grail of genre movies. And yet, "Dune" exists only in the imagination: it's such a broad and complicated project (think "Avatar" crossed with Terry Gilliam's "Don Quixote") that it was never actually made.

What a triumphant win for Steve McQueen, last night, for his “12 Years a Slave.” Let us hope that more black filmmakers will advance in their craft and career and reach their place in the sun some day, too (Lee Daniels and Ryan Coogler of “Fruitvale Station” have been leading the charge). The international film industry is rather too homogeneous, color-wise, so last night’s mega-win for the adaptation of Solomon Northup’s

The world’s lost a great filmmaker, France an eminent and prodigious artist.

In his films Alain Resnais, a force of nature whose career spanned no fewer than seventy-seven years (his first documented film dates to 1936), was preoccupied with the themes of memory, history and time. He created works of staggering importance like, “Night and Fog,” “Last year

It’s never too late to change who you are—however difficult that may be. Such is the rallying cry of Jason Cohen’s short "Facing Fear" (this documentary has been nominated in the "Best Documentary Short" category at this year's Academy Awards). Tim Zaal savagely attacked, along with fourteen other punk rock Neo-Nazis, Matthew Boger, a boy recently thrown out of his house for being gay. Twenty-five years later, Matthew Boger, now manager at the Museum of Tolerance