Sundance Film Festival 2023 Indie Episodic Trailblazers and Icons “Willie Nelson and Family”

“I've got the song of the voice inside me Set to the rhythm of the wheel And I've been dreaming like a child Since the cradle broke the bow”

The new documentary series

Sex and money and greed in the cutthroat corporate world of New York City. Writer-director Chloe Domont’s fiery new adult thriller “Fair Play” is the kind of NYC white-knuckle film where people in expensive suits engage in backstabbing and carnal knowledge; the type of subject matter that would make director Adrian Lyne proud.

We first meet up and comers Emily (Phoebe Dynevor)

“Run Rabbit Run”, written by Hannah Kent and directed by Diana Reid, is an Australian creeper that is essentially more of a psychological thriller than full-on horror. Sarah Snook stars as Sarah, a fertility doctor still mourning the death of her father, whose daughter Mia (Lily LaTorre) begins to inhabit strange behavior. Along with claiming she misses her grandmother (who she never met), the young girl begins to believe she is Alice, Sarah’s sister who disappeared

In director Rachel Lambert’s “Sometimes I Think About Dying,” Daisy Ridley’s Fran is there, but she isn’t there. Life is moving, but not forward. Existing is questionable.

Adapted from a 2019 short film, one that was based on the play “Killers” by Kevin Armento, Lambert’s film gives Daisy Ridley the proper role to showcase her impressive talents in. In a dreary Oregon town

In the classic 1969 Western “Butch Cassidy and the Sundance Kid” Robert Redford’s Sundance teases Paul Newman’s Cassidy about his big schemes. Butch replies, “Boy, I got vision and the rest of the world wears bifocals.”

Both the character of the Sundance Kid and, most importantly, the actor who played him, took that line to heart. In 1978, Sterling Van Wagman

PALM SPRINGS, Calif.—Editing a manuscript might not be the most cinematic endeavors about which to make a documentary—unless the parties in question are Robert Caro and Robert Gottlieb. For a half-century, Gottlieb has edited Caro’s work, including the not-yet-completed final volume of Caro’s definitive biography of Lyndon Johnson. “Turn Every Page — The Adventures of Robert Caro and

PALM SPRINGS, Calif.—Trees may be alive, but they certainly aren’t sentient enough to distinguish one race of people from another. Humans, however, are—and in Palm Springs a specific group of trees was effectively weaponized as a means of separating a historically Black community from the rest of this desert enclave 100 miles east of Hollywood.

The new documentary