“Year by the sea” is based on the New York Times best-selling memoir by Joan Anderson. It stars Karen Allen (“Raiders of the Lost Ark” and “Animal House”). Executive-produced by Tony-award winners Daryl Roth (“Kinky Boots,” “Indecent”) and Terry Schnuck (“Beautiful”), “Year” was written, directed and composed by Alexander Janko. “Year” recounts empty-nester Joan Anderson’s (Karen Allen) decision not to follow

A quintessential American, a great actor, major playwright and poet, Sam Shepard is one of those human beings whose very presence uplifts and makes the world a better place.

Shepard was a playwright, actor, author, screenwriter, and director. He wrote no fewer than forty-four plays and various books (short stories, novels and memoirs). In 1979 he received a Pulitzer Prize for Drama.

For "Dunkirk" Christopher Nolan cast the puppy-eyed lead singer of One Direction, Harry Styles, as a British soldier during the famed 1940 evacuation. This is entirely appropriate. I say this because the British Army fought World War II with the ferocity of a boy band. I don’t understand why the British feel such a reflex to celebrate it.

Here’s a trip down the the pathway of British military performance in World War II: the British spent a month fighting in France, during which time they got whipped by a German army that was riding horses ten years earlier.

A virgin inspired by a divine sense of mission. A legendary sword. A bitter battlefield stalemate. And a France in need of saving. "Wonder Woman," the summer’s biggest hit, has been hailed for resurrecting one of the great heroines of the past. But the heroine being revived isn’t only the comic book phenomenon. It would be Joan of Arc, as well.

The story of St. Joan was one of the strangest black swan events in all of history. I’m sure the English and Burgundian French military planners laid out many possibilities during the Hundred Years War; it’s unlikely they were worrying much about losing

Why The New York Times, in their own June 9th ranking of the twenty-five best films of the twenty-first century, felt the need to take this moment to reflect on the best cinema of our still-young century is anyone’s guess. My suspicion is that they are just starved for content during the summer months, traditionally the worst time for serious-minded moviegoers, although there are some promising films coming soon

Early in “Stalker,” Andrei Tarkovsky’s newly re-released 1979 futurescape, a character [...]

(this is the follow-up piece to Rudy Cecera's interview with the director from earlier this year) Susie Singer Carter has much to be proud. Not only is “My mom and the girl” racking up palm leaves all over the U.S. but it also received recognition at the Cannes Festival in May. In fact, her short film got two separate nods, the the “Jury Winner Honorable Mention LGBTQ Winner at The American Pavilion” and the