In these ghoulish American times, it’s heartening that “The Shape of Water,” a film that unified so many of us around its themes, that of cinema, the other (and the unknown), earnest love, a fairytale world full of possibilities, should win the world’s most prestigious film award. And for British actress Sally Hawkins, she of “Happy-go-lucky” fame—in the film she plays Elisa—to be feted in Hollywood, could one possibly ask for anything more?
After nearly four hundred films screening over ten days to 21,000 accredited guests and a third of a million ticket buyers, the Berlin International Film Festival drew to a close this past Sunday. The 68th installment of Europe’s largest film festival was a robust edition, with an unusually-high number of worthy films spread over the Berlinale’s dozen sections. As he did in once already in 2014 with “The Grand Budapest,” Wes Anderson
Intimacy and sex are essential elements to finding happiness in life, a theme found in this year's winning film. "Touch Me Not,” by Adina Pintilie, has won the Golden Bear prize at this year's Berlinale. The festival opened on February 15th and closed today and included around 400 films. Of those, nineteen were competing for the top Golden Bear prize. Romanian director Adina Pintilie said she had not expected to win the award for her film
Taylor Dunne and Eric Stewart’s forthcoming documentary “Off country” examines the devastating, still-lingering effects of atomic bomb testing on the communities around the White Sands missile range in New Mexico, the Nevada Test Site and the Rocky Flats Plant in Colorado, where plutonium triggers were manufactured until its 1992 shutdown (the latter facility was studied in the galling 1982 documentary “Dark Circle"
Over the years I’ve researched and written extensively on the underrated work of silent movie actress Mabel Normand, Hollywood’s first film comedienne and female director. I’m now happy to report that she is finally being recognized for her many accomplishments. During November 11-12 the Niles Essanay Silent Film Museum, located in Fremont, Calif., will be hosting a retrospective of this early film pioneer.
When last year I spoke with Illeana Douglas we discussed her work highlighting the accomplishments of women behind the camera. We also talked about her involvement as executive producer of the Kino Lorber five-disc collection “Pioneers: First Women Filmmakers.” As I've discovered, Douglas is continuing her mission by hosting TCM’s annual “Trailblazing Women” series for the second year in a row. The current
There is always a time when the topic of Female Directors becomes pertinent. Kathryn Bigelow winning her Oscar for “The Hurt Locker” certainly raised the subject. But that was seven years ago. Now, Patty Jenkins’s recent “Wonder Woman” success is picking up the topic. The problem seems to be continuing the trend. In an effort do just that, writer/producer Ryan Murphy (“American Horror Story," “Feud”) has started a new fellowship aimed at supporting the cause.
