We remember him as Vincent Van Gogh in “Lust for Life” (1957). In Stanley Kubrick’s “Paths of Glory,” (1957), he plays an officer during WWI who fights to overturn an unjust death sentence against three soldiers by his commanding officer; in “Spartacus,” (1960), again by Stanley Kubrick, he is the legendary slave who would not be cowed. (of the director, with whom he had differences, Douglas had this to say, "He'll be a fine director
In the last decade twin sisters Jen and Sylvia Soska have doggedly pursued film ventures in the horror genre. Armed with ingenuity, a DYI ethos and a pledge to frighten honest, hard-working people, the Soskas have acted in, directed, screenwritten and produced movies that would give Lloyd Kaufman and Eli Roth a run for their money.
The Soskas have directed such films as “Dead Hooker
Introducing in a narrative flashbacks, fragments of dreams, partially remembered scenes has always been part and parcel of cinema. Examples abound. Look at classic films. The childhood sled scenes in “Citizen Kane” are indispensable. As is the famous flashback explaining the Gregory Peck character’s trauma in “Spellbound." The process works, when it is used within reasonable limits. When repeated endlessly
The Santa Barbara International Film Festival (SBIFF) earlier this week announced the lineup for the 35th edition, which will run January 15 to 25, 2020. The festival will feature forty-seven world premieres and seventy-one U.S. premieres from fifty countries.
During a press conference SBIFF’s executive director Roger Durling said, “for 35 years, SBIFF has been a reflection of the city
2019 started out as a bumpy road. By summer I worried that I wouldn’t be able to make a full top ten. By year’s end, however, some fine work started to shine.
1. (an absolute tie of the two most original and cinematically pleasing films of the year!): “The Irishman” (directed by Martin Scorsese) / “Once Upon a Time In Hollywood” (directed by Quentin Tarantino). Both films
This Israeli film by Sameh Zoabi, an Arab Israeli, comes to us boasting a number of awards but that doesn’t prepare us for the treat of this thoroughly enjoyable and unpretentious story. “Tel Aviv on Fire” is one of those gems––think “The Band’s Visit” or “Tony Erdmann”––that grab and delight from the opening scene to the very end, with nary a slackening of rhythm. Salam (Kais Nashif, a well-known Palestinian actor) works
Sue Lyon was born in Davenport, IA. When she was ten months-old the Lyon family moved to L.A., hoping that Sue could help them financially working as a model. She got jobs modeling for J.C. Penney and shot a commercial that featured her bleached-blonde hair. She also got small parts on "Dennis the Menace" (1959) and "The Loretta Young Show" (1953). Stanley Kubrick saw Sue on the show