Born in Soussa, Tunisia thirty-seven years ago, a consumer mainly of ninja and Jean-Claude Van Damme VHS movies as a teenager Ala Eddine Slim came into cinema upon discovering, not without thrills, "The Sunchaser” [1996] by Michael Cimino on television, "on a Thursday evening after Special Reporter." For the last ten years he has run, along with a few close friends, a kind of collective derived

PARIS - "[with a view to] ... honor those involved in making cinema in 2019, to regain calm and to make the cinema festival [otherwise known as the ceremony “Les Césars”] a celebration, the board of directors of the Association for the Promotion of Cinema has made the decision to resign unanimously [...]”

So read part of the press release issued by the executive board of the César Awards last Thursday

Tonight in Hollywood, and across the globe, it's all about "Parasite." “Parasite” by the Korean director Bong Joon-Ho, netted four Academy Awards on Sunday, winning in the Best Film, Best Director (Bong Joon-ho), Best Foreign Film and Best Screenplay categories. What a winning streak! Joon-Ho made history, too, in the process. This is the first time that a non-English-language film won for Best Film at the Academy

Is Covid19, a.k.a. novel coronavirus, going to spell the death of the Cannes Festival this year? I say, I sure hope not. And, I really don't think so. But the signs, they're worrisome. According to the powers-that-be, France is currently in what is known as Phase Two. That's when a virus has entered the country and efforts are underway at containing it. Sibeth Ndiaye, President Macron's spokesperson, has hinted that a French coronavirus

We remember him as Vincent Van Gogh in “Lust for Life” (1957). In Stanley Kubrick’s “Paths of Glory,” (1957), he plays an officer during WWI who fights to overturn an unjust death sentence against three soldiers by his commanding officer; in “Spartacus,” (1960), again by Stanley Kubrick, he is the legendary slave who would not be cowed. (of the director, with whom he had differences, Douglas had this to say, "He'll be a fine director

In the last decade twin sisters Jen and Sylvia Soska have doggedly pursued film ventures in the horror genre. Armed with ingenuity, a DYI ethos and a pledge to frighten honest, hard-working people, the Soskas have acted in, directed, screenwritten and produced movies that would give Lloyd Kaufman and Eli Roth a run for their money.

The Soskas have directed such films as “Dead Hooker

Introducing in a narrative flashbacks, fragments of dreams, partially remembered scenes has always been part and parcel of cinema. Examples abound. Look at classic films. The childhood sled scenes in “Citizen Kane” are indispensable. As is the famous flashback explaining the Gregory Peck character’s trauma in “Spellbound." The process works, when it is used within reasonable limits. When repeated endlessly