The Academy Award-nominated short subject documentary film "A concerto is a conversation," which was executive-produced by Ava DuVernay and recently premiered at the 2021 Sundance Film Festival, is now streaming from The New York Times Op-Docs.

Kris Bowers (pictured) is one of Hollywood’s rising young composers. At twenty-nine he scored the Oscar-winning film “Green Book” (2018), and this year he premiered

For Luchino Visconti’s cinematic adaptation of Thomas Mann’s “Death in Venice,” the filmmaker sought otherworldly beauty in whichever actor he chose to play Tadzio, the young teenager who is the subject of the main character Gustav’s infatuation.

Fifteen-year-old Björn Andrésen was chosen, as his entire persona captivated the filmmaker. As Visconti’s casting director

It’s still hard to wrap my mind around the notion that a year ago I was walking the streets of Park City, interviewing filmmakers and catching the latest releases. This year, the festival, like nearly all others, has gone hybrid, with a very few in-person events as audiences and critics have enjoyed the offerings from their covid-safe couches.

Here are just a few Sundance ‘21

The Cannes Festival will indeed take place this year, two months later than usual. In a press release sent this afternoon by email, the festival said the 2021 edition would run from the 6th to the 17th of July. Cannes would thus take place about a month after the government of France will have been able to complete dissemination of the covid-19 vaccine nationwide, the idea being that, for France, at least, the coronavirus will presumably be under control.

Michael Apted, who died last Thursday at the age of [...]

Since international travel is currently all but impossible the movies provide a way to visit other parts of the world—as they always have. And it was of tremendous importance to writer/director John Patrick Shanley (“Doubt,” “Moonstruck”) that Ireland, the land of his forefathers, be a main character in his new film “Wild Mountain Thyme,” adapted from his play “Outside Mullingar.”

Even as we spoke on the phone last week, filmmaker Errol Morris said he was still putting the finishing touches on his new documentary, a version of which I had seen not long before the Oscar-winning director of “The Fog of War” and “Gates of Heaven” chatted with me from his home in Massachusetts.

Until recently, he was still color correcting and filling in the musical score. Letting go of the “final edit” is often the most