The first three days of 2022 Sundance have yielded a good crop of films in the competition slate. 

Over the weekend two genre films were shown, each one making their mark with inventive individuality.

Writer/director Andrew Semans’ “Resurrection” is an unnerving thriller starring Rebecca Hall as Margaret, a single mother and

“We live and die by the stories we tell each other,” is the line that begins writer/director Jonathan Nossiter’s latest piece, the exquisite “Last Words.”

Adapted from a novel by Santiago Amigorena (he also co-wrote the screenplay), Nossiter’s film follows Kal (newcomer Kalipha Touray), the last human on the face of the Earth. The year is 2085. One year earlier he was

In the wake of the recent DOC NYC 2002 is heating up with some amazing documentaries. Whether available on demand on one of the major players or otherwise, these docs do what the best of the genre do: observe and uncover truth. "Life of Crime 1984-2020" (director: Jon Alpert) Jon Alpert has made the most extraordinary documentary of the year, which is only fitting

The Iranian director Mohammad Rasoulof’s film “There Is No Evil” (Golden Bear Award, Berlin Festival, 2021) is extraordinary on a number of levels—political daring in a country where dissent or criticism is harshly punished, as well as narrative. Four chapters or stories, unrelated, maintain throughout a profound tension, not with special effects or major reveals but by dint of taking us deep into what a brutal regime does to its people and how these

“tick tick… BOOM!” is the name of the musical Jonathan Larson wrote and performed about the failure of “Superbia,” his rock-opera adaptation of George Orwell’s 1984 that was to be his ticket to Broadway. Sadly, this didn’t happen. If something good came out of that piece’s failure, it would be the powerfully personal follow up that would lead to the legendary Broadway groundbreaker “Rent.”

This past week marked eighty years since the Japanese attack on Pearl Harbor on December 7th, 1941, which lured the United States into WWII. Sixteen million Americans answered the call to join the armed forces against the Axis of Nazi Germany, imperial Japan and fascist Italy. Over 400,000 servicemen lost their lives in the Atlantic and Pacific theaters, with approximately 80,000 more still classified as missing in action, their final resting places unknown.

Throughout the centuries philosophers have responded to the idea of death in many ways. Kierkegaard saw grief as a door to faith while Heidegger found it a way to give deeper meaning to one’s life. It was Camus who found the absurdity in it all.

As adults, grief exists as an emotional conglomerate and people from all walks of life deal with it in different manners.