In this unsparing drama set during the early days of covid, Jodie Comer is Sarah, a young do-gooder who takes a job at an assisted care home in Liverpool. Before long, the novel virus is raining havoc upon the residents, many of whom are elderly. Sarah and her staff do what they can, but when they make external phone calls for help they are faced with the terrifying reality that the system is overwhelmed, and no one is coming to help.

Actor Owen Teague spent the early months of the pandemic not only getting rather too familiar with his four walls but reading a script by Scott McGehee, David Siegel and Mike Spreter about two estranged siblings who return to their Montana home as their father convalesces. If nothing else, the gig would provide Teague a way to see something outside his own home.

Soon enough, he was on his way

CANNES, France — Marco Bellocchio's "Esterno Notte" ("Exterior Night") is an essential and dramatic film that soberly tells the truth of an important period of Italy’s history, a pivotal moment, the kidnapping and killing of Aldo Moro, former President of Italy.

"Esterno Notte" is a made-for-TV miniseries, six episodes that were combined and screened on Wednesday in Cannes in the Cannes premiere

Barry Levinson is known for his natural filmmaking style and ease with portraying realistic characters and dialogue. “The Survivor” is no exception.

His latest project is, likely, the loftiest one yet.

Working from a powerful screenplay from Justine Juel Gillmer, the film tells the

Police brutality. The one constant human rights violation in America.

Executive-produced by Michael B. Jordan, the new AMC miniseries “61st Street” is a legal drama focusing on the rampant and racially-motivated police savagery that takes place on Chicago’s South side.

Courtney B. Vance stars as veteran

There is no doubt that The Coppola family gene is infused with above-normal talent. Gia Coppola’s sophomore effort as director, “Mainstream,” doesn’t reach the deeper level of her first film (2013’s “Palo Alto”) but she and co-writer Tom Stuart’s screenplay has a lot to say.

Frankie (Maya Hawke) is a young woman on a journey to find herself in an artificial world. She works in a dive that features

Gustavo Dudamel is one of the music world’s most amazing individuals. At just twenty-eight the Venezulan veteran of that country’s El Sistema music program was chosen to become the new artistic director of the Los Angeles Philharmonic. His welcome concert, ¡Bienvenido Gustavo!, held at the Hollywood Bowl on October 3rd, 2009, set the entire city on fire, with Dudamel’s flying curls and mile-wide smile adorning billboards around town