CANNES, France -- “Triangle of Sadness” is a comedy about fashion, trends, social media influencers, how to set yourself apart but not too much, the enduring power of social hierarchies, the #metoo and virtue-signaling maelstroms.

The pitch for “Triangle of Sadness” goes like this: the film starts in the fashion world, then the action moves to a cruise ship to finally end on a deserted island, with a male and

Lately, it seems there’s been a change in attitude among some directors in the new generation of Persian filmmakers: through their films they’re more willing to show more, more of the dark underbelly of the beast. In films like “Tehran Taboo,” “A Girl Walks Home Alone at Night,” “Just 6.5,” themes and motifs, two shades darker than before, are explored: Iranian society has problems, much like any Western society, and the new generation

CANNES, France -- There were problems with booking seats to the screening of James Gray's latest film, "Armageddon Time," this caused frustration. Finally, I managed to snag a ticket to join my group. Gray doesn't come to the Cannes Festival often.

Fascinated by marginal characters left to fend for themselves, like Joaquin Phoenix's Leonard Kraditor of "Two Lovers," James Gray

Chris Sivertson’s “Monstrous” is driven by some interesting, if familiar, themes. Unfortunately, the director is not able to pull them off.

Written by Carol Chrest, Christina Ricci stars as Laura, a single mother who takes her young son Cody (Santino Barnard) to a remote new home, apparently trying escape her past and ex-husband. On the run from something dark, her new house certainly holds

CANNES, France -- Adam (Tawfeek Barhom) is accepted to Al-Azhar University, one of the leading centers of study of Sunni Islam, located in Cairo. He leaves his native fishing village where where he helps his father on the boat.  

The school year begins and shortly thereafter the Grand Imam of Al-Azhar suddenly dies; Adam, finding himself involved in a shadowy negotiation around his replacement

CANNES, France -- Making a movie about a donkey,or to be more specific, from a donkey's point of view is an audacious project. But that's just what Jerzy (pronounced "Ya-shee") Skolimosky did and his film, a slow and oppressive rumination on humans and their relationship to the animal world was screened here on Thursday. A circus troupe. A grey donkey and his handler Kassandra. The animal seems happy, even though

In this unsparing drama set during the early days of covid, Jodie Comer is Sarah, a young do-gooder who takes a job at an assisted care home in Liverpool. Before long, the novel virus is raining havoc upon the residents, many of whom are elderly. Sarah and her staff do what they can, but when they make external phone calls for help they are faced with the terrifying reality that the system is overwhelmed, and no one is coming to help.