21 Jump Street isn’t just another forgettable adaptation of a television program, the disappearance of which noone laments. Mais non! The only interesting thing about this one is how it inadvertently ended up on the red carpet to greet the arrival of Hollywood’s unexpected leading men. Channing Tatum looks the part. The Hollywood heartthrob of a million female fantasies, he has anchored a string of overperforming rom-coms (Step Up, Dear

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In the early 2000s, Genesis P-Orridge embarked on the latest major phase of an art career which is as erratic as they come. P-Orridge and his lover Lady Jaye undertook a “pandrogyny” project, in which they would eschew the bodies they were born with by going through a series of plastic surgeries with the goal of resembling each other as closely as possible. In effect, the aim was to meld their beings into each other’s, in spirit and body. This is the

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It is scarcely conceivable that a teenager happening to watch Goodbye First Love, the third feature-length film by Mia Hansen-Løve, would recognize her or himself in the lead character of Camille (Lola Creton) or in her boyfriend Sullivan (Sebastian Urzendowsky). That is, unless said teenager was one of the precious few to have weathered the dicey plunge into adolescent romance without the trepidations, fumbles, and emotional

Cyril (Thomas Doret) is an unruly twelve-year old who moves into an orphanage after being abandoned by his father (Jérémie Rénier). The kid is obsessed with finding a father who's gone missing and who also sold the boy’s beloved bike. His path crosses Samantha’s (Cécile de France), a hairdresser who will eventually become his surrogate family and accept to take the boy in on weekends. She buys back his bike, helps him find his father

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