Oscar-winning director Terry George ("Hotel Rwanda," "Reservation Road," "The Shore") isn't known for light-hearted comedies. His latest effort, "Whole lotta sole," however, rests convincingly between "Snatch" and "Notting Hill." The story follows several different sets of characters, among them a young father (Martin McCann), a ruthless crime lord (David O'Hara), a grizzled cop (Colm Meaney), and a hapless American (Brendan Fraser), who runs

Fresh off the heels of “Bully” the salient and engaging documentary “The Revisionaries” could be the sequel to the “What’s Wrong With American Schools Now?” series. “Revisionaries” centers on conservative Texas School Board member Don McLeroy, a creationist who’s apparently made it his life’s goal to impose creationist beliefs in public school curricula while simultaneously working to discredit the theory of evolution.

Jack (Mark Duplass) is shell-shocked and angry from the recent death of his brother. His compassionate best friend Iris (Emily Blunt), whom he secretly pines for, sends him to her father’s secluded log cabin, to regain composure. When he arrives, he’s surprised to find Iris’s sister Hannah (Rosemarie DeWitt) already occupying the cabin. She’s in recovery mode, too, a lesbian still hurting from a bad breakup; unable to sleep, they bond over whi-

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When Nicholas Stoller and Jason Segel introduced Forgetting Sarah Marshall in 2008, it represented the low point for the Apatow factory, during the phase when it produced any old comedy premise that could fit on the back of a bank receipt. The filmmakers probably didn’t go in thinking, “We’re going to make a stalker fantasy laughfest,” but that’s what came out the other side. That’s why it’s so encouraging to see the same group produce The

Sometime last year Eddy Moretti, co-founder of Vice Magazine’s film division, assigned three movie directors from different countries a fairly abstract project. They were to each shoot a short film about the concept of a fourth dimension, and follow such rules as “the hero needs to be bold,” “the hero also needs to be flawed,” and “a stuffed animal needs to make an appearance.” Moretti also instructed them to make “the best film you’ve