Park City, Ut. - So many movies, so many stars—and so many red carpets. At Sundance, this week, I was able to get some facetime with the makers and stars of a select few films on the press lines (while being shut out of a few others, naturally).

Andy Samberg was in town for the premiere of “Palm Springs,” for which he both starred in and acted as producer. The film stars Cristin Milioti (“The Wolf of

PARK CITY, Ut. - Documentaries need not be lengthy to explore a fascinating subject, as I learned at the “Documentary Shorts Program 2” at Sundance. In “All That Perishes at the Edge of Land,” filmmaker Hira Nabi’s camera magnificently captures the “ship breaking” industry of Pakistan, which employs the poorest of the poor to disassemble obsolete carrier vessels for scrap. The ships grounded ashore in the region

Park City, Ut. | Steve James loves Chicago. The city helped to ensure his place in the pantheon of great documentarians thanks to “Hoop Dreams,” widely considered one of the greatest non-fiction films ever made. But in the twenty-five years since that documentary about inner-city high school basketball, the Windy City has continued to give James opportunities to tell its stories. There was “America to Me,” a look at some of the city’s

PARK CITY, Ut. | (Film critic Eric Althoff is in Park City covering Sundance 2020 for Screen Comment) Matt Yoka found a rather unusual Los Angeles treasure trove in an unassuming storage unit. There, in multiple boxes, sat some 3,200 ¾ inch Betamax tapes of helicopter news footage, all of it captured in the nineties by a now-defunct aerial news firm called Los Angeles News Service.

Santa Barbara International Film Festival is up against Sundance this year, so the demands for top independent films are especially heightened this season, as are the demands on stars like Brad Pitt (bestowed an honor in California) to choose one or the other.

As always, there are unexpected gems, including a rather offbeat comedy from South America I was able to see (review below)

“Church & State” examines the remarkable true story of an inexperienced gay activist who, in partnership with a Salt Lake City law firm and members of the local LGBTQ community, successfully ended Utah's ban on gay marriage.

Mark Lawrence, a middle-aged gay man, led the charge for gay marriage equality in Utah. He’s a bit of an acquired taste (he’s so off-putting to some that it made him

Sam Mendes’s name for his film is right. It hits you in the face with the mud, blood and gloom that was there, heavily, relentlessly, during that terrible year following three years of horror and followed by an even worse one. Out of this war that Mendes described as “a chaos of mismanagement and tragedy,” he has made a war movie like none other. Eschewing regular scripts for war films, the storyline is about how to stop a battle