It is a testament to the quality of this year’s Sundance Film Festival back in January—in the good old pre-lockdown days—that close to a year later, its offerings are still finding outlets for those who weren’t in Park City, Utah. Such is the case for Miranda July’s “Kajillionaire,” a film that is neither comedy nor drama yet teases elements of both such that, when it ends, the filmmaker forces the audience to undergo hard questions about empathy and identity.

The video dating era of the late eighties and early nineties; pre-dating apps, pre-Match.com, and long before the phrase “swipe right” became an easy way to find a companion. It was a time when companies would hire a cameraman to record your video profile and you would go home and wait in the hope that the agency would find you a proper match. Those were the days. Or were they?

In writer/director Jon Stevenson’s

Just so we're clear, I have never cared for man-against-the-wilderness type films ( “Dersu Uzala,” Joe Carnahan’s “The Grey,” and “The Revenant” being exceptions) and I dislike kidnap films, as well.

No matter how well-made, this type of film falls prey to unavoidable cliché. In film after film we witness the long fall off an unexpected cliff into the icy water or the tree branch

“Most people are other people. Their thoughts are someone else’s opinions, their lives a mimicry, their passions a quotation.”

This Oscar Wilde quote, spoken by a character in the new film “I’m Thinking of Ending Things,” is the perfect key to help viewers unlock its many thematic mysteries. By this film’s end, you will certainly have questions. You will be confused and perplexed and possibly disturbed.

A problem with today’s family-oriented films is that they feel they must dumb everything down so the kids will sit quiet for an hour and a half and enjoy the movie. Many modern kid’s films refuse to put much substance into their characters and think their young audiences will be happy with messy slapstick and flatulent humor. It is this way of thinking that leads to so many family films insulting their intended audience of the children and the

Thanks to covid-19, both the 2020 Olympics and Paralympics were postponed to 2021. That means the competitors will have another whole year to train and prepare for their events in Tokyo.

And however disappointing, it’s just one more bump on the road for the Paralympics athletes featured in the new documentary “Rising Phoenix,” which opens on Netflix this weekend. Directed by Ian Bonhôte and Peter

Artistically, Hollywood has had a tough time adapting young adult novels. While usually finding an audience, most of their adaptations of the more serious YA novels have fallen flat. Sadly, and despite a solid cast, the new film “Words on Bathroom Walls” is no exception. Adapting Julia Walton’s novel, screenwriter Nick Naveda attempts to recognize the issues of mental illness in realistic and understandable ways.