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  • CANNES 2025,Featured Review,Festivals,News

    CANNES FESTIVAL – Moving and magical PORTRAIT OF A LADY ON FIRE

    The year is 1770. Marianne (Noémie Merlant), the daughter of a renowned painter and a painter herself travels to an island off the coast of Brittany, tasked wit painting the portrait of a noblewoman, Héloïse (Adèle Haenel). Héloïse has recently left the convent where she led a life of seclusion because of a family tragedy: Her sister has met a tragic end on the verge of marrying a Milanese gentleman. Her mother (Valeria

    May 26, 2019
  • CANNES 2025,Featured Review,Festivals,News

    CANNES FESTIVAL – Diao Yinan’s WILD GOOSE LAKE

    A gang leader on the lam in search of redemption. A prostitute eager to gain her freedom back. Together they will decide to play one last gamble with their fate, the proverbial last big hit. Within this narrative proposition, a discrete romantic plot that will come to fit within the film’s dramatic structure. This is “Wild Goose Lake,” by Chinese director Yi'nan Diao, a film that’s inferior to his previous ones. It’s convoluted

    May 26, 2019
  • CANNES 2025,Featured Review,Festivals

    CANNES FESTIVAL – Cornel Porumboiu’s “La Gomera” (“The Whistlers”)

    Despite its non-chronological narrative and slightly-convoluted plot Corneliu Porumboiu’s new film “La Gomera” is a winner. It’s a film noir with a femme fatale, murders and a morally-questionable hero. “Gomera” references “The Maltese Falcon,” and has one scene that looks like a first take from “Psycho.” Add to this a mattress full of cash, a pious mother and scenes from the Singapore's Garden Rhapsody show and lots of waltzes

    May 26, 2019
  • CANNES 2025,Featured Review,Festivals

    CANNES FESTIVAL – They found love in PORT AUTHORITY

    (CANNES, France) - Ever loved someone from a different category as you? Different colors, different creeds and backgrounds can separate a lot of us from a lot of other us. How do we respond, what do we do, if cupid strikes? In Danielle Lessovitz film “Port Authority” two people, Paul and Wye, belong to different social groups in New York City’s downtown and outer-boroughs. Paul (British actor Fionn

    May 26, 2019
  • CANNES 2025,Featured Review,Festivals

    CANNES FESTIVAL – “SORRY WE MISSED YOU,” tense and moving family drama premised on the idea of choice

    “Sorry we missed you” by Ken Loach is laden with social significance. It stands as direct indictment of how businesses have reorganized labor contracts, passing risk and exposure unto their workforce. In France, the U.K., Belgium and elsewhere job precarity has increased due to various factors, but also due to the fact that employers, such as the parcel delivery service pictured in the film no longer offer long-term contracts but rather, short term agreements

    June 11, 2019
  • CANNES 2025,Featured Review,Festivals

    CANNES FESTIVAL – Panoramic “Bacurau,” a revenge Western with pointed anti-American sentiment

    “Bacurau” has been one of the richest cinematic experiences I've seen in a while, producing enormous feeling. And while the writing is slightly disheveled, this panoramic film is brimming with imagery of folklore, capoeira, community life and historical legacy. It’s a celebration of Brazilian sertao (outback) living, told from the viewpoints of several different people but not without its acidic share of tragedy.

    May 16, 2019
  • Featured Review,Interviews,News

    TRIAL BY FIRE, our interview with Edward Zwick

    Given his background in journalism, it’s little wonder that director Edward Zwick turned to an investigative reporter’s work as the basis for his latest film, “Trial by Fire.” The film is based on an article of the same name by David Grann published in the New Yorker in 2009 about a Texas man who was almost certainly wrongfully executed for the murder of his three children; DNA evidence exonerated him too late. Zwick and Grann had

    May 16, 2019
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