In this wonderful series (based on his own 1986 film) Spike Lee’s “She’s Gotta Have It” is a natural yet cinematically exhilarating look at Nola Darling, a modern black woman who makes no apologies as she navigates through her life and relationships on her own terms.
Unambiguously set in 2016 (and 2018 for season two) this vibrant series has pure delight in every episode.
The concert film “Woodstock,” made in 1970 by director Michael Wadleigh, captured the August 1969 “three days of peace and love” music festival in Bethel, New York, the touchstone for a generation and the height of the anti-Vietnam War movement. Joe Cocker, Joan Baez, The Who, Santana and Jimi Hendrix were among the notables who took to that muddy, rainy stage, which Wadleigh’s cameramen and editors, including a young Martin Scorsese, weaved together into a
HBO’s “Deadwood” was a rather brilliant parable of corruption and violence that forever changed this country. The show’s now infamous “Deadwood Speak” (courtesy of the great David Milch) and its rich detail to character made it something truly unique.
Fans were floored when the show was abruptly cancelled after season three and argued their favorite characters and s, at the expense of fluidity.
(this article is a reprint; it was originally published on Screen Comment in 2017) Were I ever tempted to leave Paris and pitch my tent in a warmer city, a city where it doesn’t rain as often, where skies are bluer and inhabitants smile, I only need to look back on this last week to realize that I could never live elsewhere (but I already know that.) So how did that week go? I saw three films: “Le Redoutable,” about New Wave cinema
Lite De Palma can still be good De Palma. “Domino” sees the master-filmmaker working with a lesser script yet coming out on top.
The director had made clear his disgust with the making of this film, whose production at one point was in danger of being shut down because of money issues. De Palma still insists many crew members hadn’t been properly paid and says that this “was
(CANNES, France) - A family of grifters hustles the perfect family in Bong Joon-Ho's meticulously-directed "Parasite." And they go all the way to Cannes gold! This is the beauty of the Cannes Festival, the jury and the results can be full of surprises--even bad ones. This is a year, also, when the press and the jury are aligned--on who should win top gold. For the rest, who knows what went on in the villa above Cannes, in between gulps
(CANNES, France) Laurence Salfati has been a part of the Cannes Festival press corps for nearly twenty years. She works for Lyon-based Radio Judaica and has interviewed all of France's greatest film stars. René Chiche has been coming to Cannes for about as long as his aforementioned colleague. Chiche is a writer, a TV producer and a journalist. He owns a news agency that's based in Paris and runs several publications