If living in this world has taught us nothing else, it is that we have long learned that when those in power lie and manipulate facts, a serpent of deceit is born and slithers through our societies devouring what is true and fair.

“Collective” is a Romanian film that examines cutting through bullshit fed to the public by corrupt people in power in order to get to the facts and achieve justice.

Han Van Meegeren was such a cunning, apt artist that he convinced the world his own paintings were actually painted centuries earlier by Dutch master Johannes Vermeer. In fact, such a believer in his own talent was Van Meegeren that during World War II, he sold one of his phony Vermeers to Hermann Göring himself.

The postwar aftermath of this incredibly unlikely but true tale forms

“The Devil All the Time” is the excellent adaptation of the deliciously nasty and viciously grim novel from Donald Ray Pollock, who also narrates the film. This is the kind of southern pulp that grabs its audience by the hair and places them among the violent nature of its characters, all the while weaving a down-home gothic tale soaking in religiosity.

But this is far from the wistful

Like nearly all film festivals in 2020, DOC NYC has switched to a virtual paradigm this year, but the quality of nonfiction films coming out of this celebration of the factual is still wondrous. The festival kicks off Wednesday and goes on until the 19th. There are so many great offerings this year, and it’s nearly impossible to catch them all, but here are some quality entrants to keep on your radar.

“There's no way to escape the fact that we've grown up in a violent culture, we can't get away from it, it's part of our heritage. I think part of it is that we have always felt somewhat helpless in the face of this vast continent. Helplessness is answered in many ways, but one of them is violence.”

Sam Shepard wrote those words which have become a potent mirror to our country’s mindset since its inception. They also become a

As a film critic there is nothing better than watching a stimulating film. Something that feeds the mind and gives you nights of discussion with fellow cinephiles were one can debate the symbolism or message of a certain work or filmmaker.

You know what else is great? watching a film that reminds you of the fun you’ve had as a kid or a teenager, a film that seeps into your memory and becomes a part of your

Stephen and Alexa Kinigopoulos wanted to make a movie where they came from. The siblings, who co-directed the new psychological thriller “Fishbowl,” grew up near Baltimore, and so when they were seeking a setting for their film, they simply cast their gaze out the window.

“When you’re surrounded by those locations every day, you maybe see them differently. And it’s always great to shoot in places that helped make you who you are,”