Steven Soderbergh is continually one of our most adventurous filmmakers, he’s an artist who takes chances and one who is consistent in taking on projects that are far removed from his last ones. “KIMI” is the director’s latest, he continues his streak of interesting work.

An extraordinary Zoe Kravitz stars as Angela Childs, she works for a tech company that makes KIMI, a version of our own Alexa. 

Joachim Trier’s “The Worst Person in the World” could very well be labeled a rom-com but do not expect the type of film that moniker suggests. This is one with relatable romantic situations, great characters and exuberance.

Julie (Norway’s Renate Reinsve) is somewhere in her twenties where love life and career are in constant flux.

Another year of fantastic films at the Sundance Film Festival is under our cinematic belts. On Friday, Sundance revealed their award winners for the 2022 festival. Once again (due to the rise in Omicron cases in the U.S.) the ceremony was handled virtually on Twitter.

Festival Director Tabitha Jackson said in her statement on Friday, “This year’s Festival expressed a powerful convergence

Premiering in the U.S. Dramatic competition slate at Sundance, Krystin Ver Linden’s “Alice” is a film where fiction meets reality, as one woman straddles two different generations.

Keke Palmer is Alice, a slave on a tucked-away Georgia plantation run by Old Testament-thumping Paul Bennet (Jonny Lee Miller). Alice secretly marries Joseph (Sinqua Walls) and tries to take solace in as much wedded

The first three days of 2022 Sundance have yielded a good crop of films in the competition slate. 

Over the weekend two genre films were shown, each one making their mark with inventive individuality.

Writer/director Andrew Semans’ “Resurrection” is an unnerving thriller starring Rebecca Hall as Margaret, a single mother and

“We live and die by the stories we tell each other,” is the line that begins writer/director Jonathan Nossiter’s latest piece, the exquisite “Last Words.”

Adapted from a novel by Santiago Amigorena (he also co-wrote the screenplay), Nossiter’s film follows Kal (newcomer Kalipha Touray), the last human on the face of the Earth. The year is 2085. One year earlier he was

The Iranian director Mohammad Rasoulof’s film “There Is No Evil” (Golden Bear Award, Berlin Festival, 2021) is extraordinary on a number of levels—political daring in a country where dissent or criticism is harshly punished, as well as narrative. Four chapters or stories, unrelated, maintain throughout a profound tension, not with special effects or major reveals but by dint of taking us deep into what a brutal regime does to its people and how these