CANNES, France — The euphoric “Leto,” shown in Cannes a few years ago (and a film everyone in the press room could agree on), “Petrov’s Flu,” in 2021, a hard-to-follow angsty dream of a movie which you might better enjoy on LSD and if you don’t do LSD then it’s OK because watching it will make you feel like you’re on it and this year in Cannes, “Tchaikovsky’s wife” (“Zhena Chaikovskogo” in the original Russian) a period piece shown from

CANNES, France — Marco Bellocchio's "Esterno Notte" ("Exterior Night") is an essential and dramatic film that soberly tells the truth of an important period of Italy’s history, a pivotal moment, the kidnapping and killing of Aldo Moro, former President of Italy.

"Esterno Notte" is a made-for-TV miniseries, six episodes that were combined and screened on Wednesday in Cannes in the Cannes premiere

CANNES, France-Two tribes, the Didinga and the Logir, on different sides of a vast patch of fertile vegetation. Their cattle graze on that patch so the space must be shared, but each tribe cattle-raids the other and tit-for-tat conflict is constant.

This dispute that takes place in South Sudan echoes many others before it throughout history, it’s a old problem, the fight

Barry Levinson is known for his natural filmmaking style and ease with portraying realistic characters and dialogue. “The Survivor” is no exception.

His latest project is, likely, the loftiest one yet.

Working from a powerful screenplay from Justine Juel Gillmer, the film tells the

Police brutality. The one constant human rights violation in America.

Executive-produced by Michael B. Jordan, the new AMC miniseries “61st Street” is a legal drama focusing on the rampant and racially-motivated police savagery that takes place on Chicago’s South side.

Courtney B. Vance stars as veteran

There is no doubt that The Coppola family gene is infused with above-normal talent. Gia Coppola’s sophomore effort as director, “Mainstream,” doesn’t reach the deeper level of her first film (2013’s “Palo Alto”) but she and co-writer Tom Stuart’s screenplay has a lot to say.

Frankie (Maya Hawke) is a young woman on a journey to find herself in an artificial world. She works in a dive that features

Gustavo Dudamel is one of the music world’s most amazing individuals. At just twenty-eight the Venezulan veteran of that country’s El Sistema music program was chosen to become the new artistic director of the Los Angeles Philharmonic. His welcome concert, ¡Bienvenido Gustavo!, held at the Hollywood Bowl on October 3rd, 2009, set the entire city on fire, with Dudamel’s flying curls and mile-wide smile adorning billboards around town