A funny thing happened on my way to pan Michael Bay’s midsummer mecha monster mash Transformers: Dark of the Moon. It turned out that I liked about half of it. Strangely that would not be the gargantuan 3-D final hour of demolished Chicago skyscrapers, impossible Special Forces stunts, flying glass, metal tentacles, and super-powerful interplanetary robots that could think of no better disguise than the cab of a truck. The evil Decepticons want to turn the human race into slaves, doomed to change out the 5W-30 every 3,000 miles for the rest of eternity. The Autobots with their Earthling allies fight to preserve the most essential human rights –like the right to have a girlfriend who’s 100 times out of your league.

“Bad Teacher” aims to be the sister comedy to 2003's "Bad Santa," another one-joke, R-rated premise about supposedly kid-friendly people hating and cursing out kids, with hints of the more lighthearted “School of Rock” thrown in. But “Bad Santa” went all the way with its indecencies, and had an actual plot framed around them. And in “School of Rock,” the joke was that Jack Black’s teacher was the child, learning to shed his ego through his students’ sweetness.

Norwegian director Anne Sewitsky’s feature debut, originally titled “Insanely Happy,” (though there may be something lost in translation) is the story of a housewife who attempts to remain happy as her family is coming apart. Kaja is concerned because her husband doesn’t appear to love her anymore, her son is constantly irritated with her, and the bleak snowy landscape is starting to overcome her and her surroundings.

If you can imagine that without crawling into a mental fetal position, then you can imagine “Cars 2.” In this animated sequel from Disney’s Pixar studio, Owen Wilson’s neurotic race car Lightning McQueen turns over the keys to the two-ton four-wheeled village idiot Mater, the buck-toothed tow truck. Jar Jar, it’s your big chance!

In June 2009, O’Brien graduated from Late Night on NBC, replacing Jay Leno on the Tonight Show and knocking him back to an ill-conceived 10 PM slot; seven months later, due to poor ratings all around and complaints from NBC affiliates, Leno’s show was moved back to 11:35 PM, and O’Brien was asked to take a 12:05 AM slot. He refused, pointing out that an after-midnight slot isn’t “the Tonight show,” and walked away with $45 million. Not too shabby—most of us would have jumped at such an opportunity, and we wouldn’t get squat if we turned it down. But as the movie makes clear, Conan O’Brien is a wreck without an audience. When the filmmakers ask him if he’s ever happy out of the spotlight, he glares at them, and he doesn’t seem to be joking around. For the first time, Conan’s freakish height, his chuckle-under-the-breath Irish humor—laced with contempt even when goofily self-mocking—is more intimidating than funny.

Screen Comment critic Lita Robinson reviews this brand-new documentary by first-time director Cindy Meehl.

"...Buck’s hard-luck backstory provides the thrust of this documentary: his father beat him and his brother relentlessly after his mother died; the two were eventually placed in a foster home.

A trick rider from the age of three, Buck was around horses his whole life, and attributes his psychic connection to horses with his own experiences of what it’s like to be dead-frightened of another person..."

The inimitable Kevin Bowen reviews the latest Ryan Reynolds, Martin Campbell-directed vehicle "The Green Lantern."

Test pilot Hal Jordan joins an interplanetary army built on the idea that pure willpower can overcome fear, making the universe safe for corrupt politicians and the military industrial complex.