If we’re lucky we grow up with our parents and grandparents present in our lives. But very few of us have a grandparent who helped found one of the major Hollywood studios. Filmmaker Gregory Orr learned one day just how powerful was his step-grandfather, Jack L. Warner, when the studio mogul ran every red light along Sunset Blvd. A watchful police officer pulled him over, but upon catching the name on the driver’s license, let Warner and

It’s so wonderful to see in-person film festivals having returned with gusto. Even though I wasn’t able to travel to New York for Tribeca, thanks to the miracle of the hybrid format—refined thanks to the covid pandemic—I was able to check out an amazing amount of documentaries and narratives. Check out below for a roundup of some of the best festival entries I saw for this year’s Tribeca Film Festival.

With a haunting Warhol-esque presentation of imagery and an artful gaze worthy of comparison to Peter Greenway and Derek Jarman Georden West’s “Playland” is an unquestionably unique experience. 

The film is, at once, a documentary and an avant-garde reenactment that examines Boston’s Playland Café; a haven to the city’s gay community and one where

Taylor Sheridan has nine shows on TV and more coming. The Oscar-nominated writer is the co-creator of “Yellowstone,” the cable TV modern western starring Kevin Costner that has racked up a rabid fanbase and been a serious moneymaker for the Paramount Network. Sheridan’s list of accolades—to say nothing of his bank account—will only continue to grow.

Yet as famous as Sheridan is

I freely admit the main reason I went to “The Flash” was with eager anticipation for the return of Michael Keaton as Batman. So be it, but as “The Flash” and its time- and universe-bending plot undertook its twists and turns, I found so much more to enjoy than Keaton being back in the bat-saddle as the Caped Crusader. For his performance, I (and, it must be said, the entire preview audience) was enraptured and cheering—but this is a Flash movie

Beginning with an intoxicating narration that sets the story on its path (and even sneaking a quote from Leonard Cohen into the first few minutes) “The Secret Kingdom” (helmed by former visual effects artist turned writer/director Matt Drummond) does something special, it takes viewers through a sweet but exciting tale that takes its audience seriously. Twelve-year-old Peter (a very natural Sam Everingham)

With the documentary “Playing with Fire: Jeannette Sorrell and the Mysteries of Conducting” Oscar-winning director Allan Miller explores the career of a woman who bleeds with a complete love of music and works to bring the vibrancy and stories of classical music to life.

When she was young Jeannette Sorrell was told by the Juilliard School and The Cleveland Orchestra that no orchestra would hire