I wish I could have been in on the creative meeting when the producers were discussing titles for this thing. Formerly called “Headshot," before someone presumably thought that title was too sissified, “Bullet to the Head” is about as apt a description for a film as I’ve seen in a while. But for all the empty violence, “B2TH” is still kind of fun and compared to last week's “Parker," its craftsmanship at its best. Sylvester Stallone plays Joe Bobo, a New Orleans

“John Dies at the End” has the spirit, if not always the laughs, of Sam Raimi’s “Evil Dead” trilogy. Don Coscarelli, who has a nearly thirty plus-year career working on B-grade horror films like “The Beastmaster” and Bubba Ho-Tep," has adapted David Wong’s 2004 comic-graphic novel into one messy, freaky, and mind-boggling ride of a movie. Chase Williamson and Rob Mayes are Dave and John, two slacker buddies who take a drug

Every January Hollywood releases streams of dreck, mostly third-rate action vehicles that have long been sitting on the shelf. "Broken City" appears to be an excuse to get Mark Wahlberg fans flocking to the cinema, to net the studios some quick cash during a time when the Oscar-nominated indie pics are the main attraction. Surprisingly, though, it is a compelling thriller, packed with endless twists that eventually work themselves

Terminator, governator, what will we call this new chapter in the life of one of the best action heroes of my generation? What we can be sure of is that Schwarzenegger arrives in another decade coming off much better than he did, as an actor anyway, in the previous one. “The Expendables 2” was a blast and “The Last Stand” is the best starring vehicle he’s had since 1996’s “Eraser." This is a different Schwarzenegger than

Allen Hughes, one half of the directing brothers who did the stylized Jack The Ripper feature “From Hell” and street-life drama “Menace 2 Society," flies solo for “Broken City.” And yet, if his name was not included in the credits you would've never known it. Lacking suspense, style, and the surprise effect "Broken City" falls on its face almost out of the gate. Mark Wahlberg is Billy Taggert, a N.Y. detective who's relieved of

Anne Hathaway appearing in a musical doesn't surprise me. Her entire Oscar hosting gig felt like a four-hour audition for Glinda the Good Witch in the upcoming movie musical for "Wicked." But who knew she could be so devastatingly good as Fantine, a woman struggling through poverty in France's revolutionary days who winds up forced to sell her teeth, hair and self to support her young daughter Cosette. Hathaway is going to

“This is 40”, the“sorta” sequel to “Knocked up”, is “sorta”terrible and when I say sorta, I mean a lot. So many movies, TV shows, and even prior Judd Apatow films have tried to sitcomize the pitfalls of marriage to the point where it’s been done to death. Being that this was an Apatow flick, I was hoping he would have a fresh take, but this is without question his worse film and one of the worse of the year, too. Paul Rudd and Leslie play Pete