Having begun his career as a TV scribe Tobias Lindholm got co-writing duties on Thomas Vinterberg's "Submarino" (2010) and "The Hunt" (2012). He collaborated with Michael Noer ("Northwest") on scripting and directing, in 2010. These efforts seem to have naturally led Lindholm to direct "Hijacking," his first solo effort.
Danish cargo ship M.V. Rosen
"World War Z" may be the first film in which the cast exceeds the actual population of the planet. There are huge citywide vistas of rambling crowds. Most of these people are infected with a zombie virus that turns them into rattlesnakes with overbites and clammy hair.
These elements pay off quickly in a fantastic opener set in a traffic jam in downtown Philadelphia. Amid startling car-smashing, Brad
This photo of James Gandolfini waving suddenly looks eerily ominous. Gandolfini who just died far too early at age 51 will be sorely missed. If ever there was a natural, he was it. No matter what the part, no matter if an entire series like the Sopranos or a Broadway play rested on his shoulders or if he appeared onscreen or onstage in a supporting role, he occupied the space so stupendously—and not because of his girth—that anyone one
After the excellent "District 9," Neil Blomkamp is back with "Elysium." This time around, it's not about aliens raising hell in a shanty but part of mankind just trying to survive on a planet that's been devastated while a few 1 percenters live comfortably in a space station.
In this new sci-fi feature film featuring piquant political subtext Matt Damon portrays the hero who accepts a mission which
“Violet & Daisy” is more conceit than film. It steals a little from “Pulp Fiction” (both before and after a bloody hit, two nonchalant assassins discuss unrelated things, in this case bestiality), a tad from “Suicide Kings” (criminals in way over their head are outsmarted by their hostage), a smidgen from “The Professional” (a troubled girl finds a daddy figure in an older criminal). The soundtrack is, course, incongruously light and
Seen from the outside the situation in the Middle East conflict—the plight of Palestinians in the Territories, the sense of insecurity of Israelis, the second-rate status of Arab Israeli citizens--may seem both hopeless and distant. Hopeless it may be but distant it certainly is not for the millions who live it every day. The point is forcefully brought home by the excellent film “The Attack” by Lebanese-born director Ziad Doueiri, based on
During one of the tamer scenes of “Cleopatra” Elizabeth Taylor’s Queen of the Nile leads Julius Caesar to the tomb of Alexander the Great. Staring down at the (pretend) grave of Western Civilization’s greatest conqueror, what could Taylor be thinking? Is she thinking “Amateur!”? What Alexander tried and failed to take with force – the entire world – Taylor was accomplishing that moment with overwhelming fame and
