• A druglord who is a part of a wider network gets arrested by the police. He does everything to save his own skin, cooperating with the police and snitching on more powerful individuals in the network, but can he be trusted? Police captain Zhang (Sun Honglei) partners with Timmy Choi (Louis Koo) after the latter is arrested. To avoid the death penalty, Choi agrees to reveal information about his partners' cocaine ring. Zhang grows

  • Guillermo Del Toro is a kid again and this summer he's invited us into his room. Digging deep within 20th century pop-geek culture while exploring his beasty imagination ("Hellboy 2: the Golden Army"), Del Toro has turned out one of the most unlikely and eery films I've seen in a while. It had to be done, in a way, and he's done just that. And who better than him for the task of convincing us that a crack in the space-time continuum exists

  • In “The Conjuring” Patrick Wilson and Vera Farmiga take the roles of paranormal investigators Ed and Lorraine Warren, a Nick and Nora of supernatural troubleshooting. The real-life Warrens are best known in some circles as investigators at Amityville. “The Conjuring” comes from a lesser known incident earlier in their career, a 1971 investigation at a 300-year-old Rhode Island farmhouse. The Perrons--husband, wife, and five daughters

  • Danish cinema is becoming more and more relevant. After the sublime "A Royal Affair" which came out last year, the Danes are darkening the summer skies with a film of a rare intensity, and one which is doubtlessly proof of their commitment to the medium and their innate talent for it. Yes, the Danes are taking filmmaking seriously and it is a joy to behold.

    In this hostage-taking

  • A film that created news on the festival circuit this year is Ryan Coogler's "Fruitvale Station," due out this Friday. It is based on true events that occurred in the eponymous metro station in Oakland, Calif., namely, a violent tussle that led to an innocent man dying at the hands of the police. The events were captured via mobile phone camera by an eyewitness, the footage of which is shown at the start of the film. "Fruitvale

  • Memo to bombastic directors who come up with ill-digested “Philosophy for Dummies” concepts on the nature of love and life in hardly watchable films (e.g. Terrence Malick’s “Tree of Life”): Don’t. Unfortunately, chances are they won’t listen and will continue to come up with these half-baked offerings to convey a message so obscure we don’t get it. Case in point, “The Congress.” But before talking about that movie, note to self: Never assume that a director who gave us a masterpiece as first film will follow up with something half as good. High expectations set us up for big disappointments. So we’re mad when Florian Von Donnersmarck, author of the superlative “The Lives of Others,” hits us with a dud like "The Tourist"

  • According to interviews which he gave afterward Werner Herzog was shaken up by it, and it's understandable why. When shooting for "The act of killing", which he co-executive-produced, began, it's likely that he did not know such a major upheaval was about to occur in documentary filmmaking. Just like Joshua Oppenheimer, who lensed this film, did not expect to shoot such a documentary upon returning to Indonesia.