Adam (Tom Hiddleston) and Eve (Tilda Swinton) are vampires living between Detroit and Tangiers. He is a reclusive rock star going through a personal crisis and collecting rare guitars and living in a Detroit that's a shell of its former self. Eve, a distinguished bookworm, wanders the streets of Tangiers at night and gets accosted by shady street vendors desirous to cater to all her whims, except the one that's most essential. Adam and Eve

The name Pierre Dulaine might ring familiar to film lovers. His years spent teaching ballroom dancing inspired the screenplay for the feature film “Take the Lead,” (2006) starring Antonio Banderas and Liz Friedlander. In that film Dulaine, who is a quadruple-ballroom dancing world champion, launched several schools in New York and encouraged social diversity and bridging communities together. Born in Jaffa of Palestinian

Wes Anderson’s "The Grand Budapest Hotel" is the cinematic equivalent of a pastry: beautiful, exquisitely-crafted and so immensely enjoyable that it seems too good to be real. Part-homage to pre-World War II Europe, part-tribute to memory and the passage of time and part-ridiculous slapstick, "The Grand Budapest"'s greatest achievement is not in its visual perfection but its literary sensibility. It’s what would

Hany Abu-Assad’s “Omar” is nominated for an Academy Award, as was the Palestinian director’s film “Paradise Now,” also about life in the Israeli-occupied West Bank. The film again brings sharply into focus the indignities large and small suffered by Palestinians on a daily basis. With the intensity of youth, baker Omar and his friends learn to bear the unbearable but also find ways around strictures. A graffiti-covered wall stands as constant

It’s never too late to change who you are—however difficult that may be. Such is the rallying cry of Jason Cohen’s short "Facing Fear" (this documentary has been nominated in the "Best Documentary Short" category at this year's Academy Awards). Tim Zaal savagely attacked, along with fourteen other punk rock Neo-Nazis, Matthew Boger, a boy recently thrown out of his house for being gay. Twenty-five years later, Matthew Boger, now manager at the Museum of Tolerance

Right after World War II Jimmy Picard (Benicio Del Toro), a Blackfoot Indian who fought in France, is admitted to a military hospital in Topeka, Kansas. The institution is specialized in brain diseases and Jimmy Picard suffers from many problems : dizziness, temporary blindness, and hearing loss (a case of post-traumatic stress disorder?). In the absence of physiological causes, he’s given a diagnosis of schizophrenia.

This is the way the world ends, or starts to end, in George Clooney’s “The Monuments Men”: with a bang. In the film’s opening scenes, Hubert and Jan van Eyck’s “Ghent Altarpiece” is loudly dismantled, panel by panel, and prepared—too late, though—for a secret hiding place. The clock is ticking for its fellow masterpieces. World War II is raging and Hitler, an unpromising art student before he became Der Führer, fancies himself