The mystery of geopolitical consensus: China, a major economic ally of the U.S., regularly tramples on human rights, imprisons journalists and artists and runs forced labor camps.

This is good, where cinema is concerned at least. Because of the latest shenanigans

The other film produced by Gabe Cowan this year and shown at Tribeca (see our REVIEW of “just before I go”) is the clever and relatable “Loitering with Intent.”

The cast includes Ivan Martin and Michael Godere, who are the screenwriters of this film in real life, as two starving-artist screenwriters, named Raphael and Dominic, who after being offered the chance to sell a screenplay repair to the countryside to write it. Only, they’re met with anything but the hoped-for peace and quiet at their new address.

The title goes right to the point, as does this movie shown at Tribeca last week, which deals with a nerdy oddball named Clinton (played brilliantly by Fran Kranz), who discovers that his cat has been killed. In attempting to solve the murder of his furry and only friend Clinton unwittingly stumbles onto a series of events which lead him deeper into chaos, until his own life is at stake. He teams up with fellow cat lover Greta, played by Nikki Reed, his mother Edie (Blythe Danner)

In her directorial debut "Just Before I Go" Courteney Cox confronts her wealth of experience in comedy with the darker subject-matter of suicide with mitigated results.

Written by sitcom heavy David Flebotte ("Desperate Housewives," "Will and Grace") "Just Before I Go" is an unconvincing attempt to mollify the seriousness of suicide with humor. But directing a film that wants to make light

Four songs and four seasons provide the pace of “Young and beautiful” (title in French: "Jeune et Jolie"), the absorbing new film by France's Francois Ozon (“The swimming pool”) which comes out this week. But the film's neat organization serves another purpose: to make the whiplash effect that's felt later on even cruder.

As he's done in previous films Ozon frames family carefully: he plies us with all its clichés

Of all the sick Nazis whose names have gone down in history as an unforgettable reminder of that period’s infamy, surely one of the very worst is the Auschwitz doctor Josef Mengele. One can only imagine this mad “scientist” given thousands of live subjects he could submit at will to his experiments, pulling out eyes, cutting out hearts and other organs without anesthesia, conjoining twins, using benighted and shaky science

After "If you die, I'll kill you" ("Si tu meurs, je te tue" in French) Kurdish filmmaker Huner Saleem has teamed up with Golshifteh Farahani again in this modern-day western set in a Kurdistan that's emerging from years of civil warring. In this second film with the Iranian actress Saleem subtly juggles epic with intimate, the tragic with the comical. And while he borrows from the genre's archetypes he also manages to avoid its pitfalls.