Oh, what, you want to talk about “Allied,” the film?

Where’s the fun in that? Wouldn’t you rather talk about Brad Pitt, Angelina Jolie and Marion Cotillard? Popcorn, please! Look in the mirror and be honest with yourself. Would you really rather go in-depth on the art direction? Twice Brad Pitt has made espionage movies about a spy married to a woman who might be

Less a modern Western than an inside look at Hollywood’s fragile psychology, the film “The Magnificent Seven” is a lesson in the way that the movies think at the moment. It’s an encouraging thing, and a more honest historical assessment, to re-create an Old West posse with minorities in major roles. It’s another thing to be so perfectly, comically and distractingly fancied up with diversity that a focus group seems like

The best thing about “Nerve” is that it doesn’t care what you think of it. While it’s not a crazy surreal soup like “The Lobster,” it’s been awhile since I’ve seen a film that feels quite so free in its own skin. The new Emma Roberts film starts like “Ferris Bueller’s Day Off” and ends like “The Warriors” or “Escape from New York.| Its’ “The Hunger Games” as told by John Carpenter. “Nerve” is a total riot, the best bad movie in a long time. The Pokemon Go

2016 is starting to shape up as the year of the love letter to Hollywood’s Golden Age. We started the year with the Coen Brothers's "Hail Caesar!," a kidnapping comedy set in a fictional fifties studio with million-dollar mermaids, crooning cowboys and blacklisted commie screenwriters. Still to come is Damien Chazelle’s musical "La La Land" with Ryan Gosling and Emma Stone. Stuck in the middle is Woody Allen’s

I liked "Money Monster," thought I'd that off the top. If that seems like an unusual or lame or unusually lame way to start a film review, that's fine. I wanted to state it firmly. Because there are things in the Jodie Foster-George Clooney political thriller that just made the rounds of the ongoing Cannes Festival that should go wrong. To start with, "Money Monster" quickly violates two of my dearest “signs that you’re watching

Richard Linklater is uniquely qualified to make a film like EVERYBODY WANTS SOME!! By that, I mean he’s the fairly rare filmmaker who was a certifiable jock--both the quarterback and star pitcher for high school teams in Houston and Huntsville, Texas. A baseball scholarship helped pay for college. That perspective informs the athletes of his most famous film, DAZED AND CONFUSED (which, chances are, is probably playing on a cable

On Monday night at the Alamo Drafthouse I caught a screening of GUN CRAZY, the influential low-budget 1949 B-movie starring Peggy Cummins and John Dall as a pair of bank-robbing lovers on the run. If you don’t know Dall, he was a Ben Affleck lookalike who starred in two minor classics in about eighteen months and then barely acted again—the other classic being Alfred Hitchcock’s ROPE. If you don’t know Hitchcock, then I really can’t help.