It was quite a while ago when Sam Raimi signed off on “Evil Dead,” a fun and uninhibited film that inspired many more and earned its author his reputation. Today, after the mid-air explosion of his Spiderman franchise Raimi turns his creative powers to mythology again with “Oz the great and powerful,” which was released in theaters earlier this month. And at the same time he sacrifices himself on the altar of the big-studio God

Less than three years after “Tree of Life” and his Palme D'Or win at Cannes, Terrence Malick is back with “To the Wonder,” a film-as-poem whose secret only he knows, apparently. At some point during the time lapsed Malick’s creativity and inspiration went out the window. In fact, with this vaguely sensory, visual fog of a film, Malick, convinced of his own genius and assured of making a new masterpiece, has completely forgotten to tell a story.