WASHINGTON, D.C. | Documentary filmmaker Michael Moore attended the Washington premiere of his latest film, “Fahrenheit 11/9,” Monday evening, but a few miles from where the subject—and object of ridicule—of his film, President Donald Trump, resides at 1600 Pennsylvania Avenue.
The new film, which draws parallels between the rise of the Third
One of soundtrack composer John Williams’s great masterstrokes with the Steven Spielberg-directed “Jaws” (1975) was crafting a musical theme with just two notes, E and F. Recognizable the world over, that half-step interval instantly causes tension knowing that the monster great white shark is nearby. In fact, it’s arguably the first thoroughly-modern score, said Emil de Cou, who will conduct the National Symphony Orchestra
Most people probably know Buddy Holly but not a single member of his backup band, the Crickets. Backup bands and other support acts make the stars possible, and seldom—if ever—get the recognition they deserve. Teen a Go Go goes behind the scenes to bring some of these unsung heroes into the light. Delving deep into the Sixties’ music scene of Ft. Worth, the documentary includes a plethora of Texas musicians—almost none of them known

