What an extraordinary performance from newcomer Vicky Knight, who has to carry an entire film on her shoulders. Her task is doubly astounding considering that her character, Jade, is severely damaged—both inside and out—and bringing her to life requires a vulnerability that would likely frighten even the most seasoned actors. In the new film “Dirty God,” Jade’s name alone provides insight into her soul. We see in the opening that Jade bears horrible scars

Since international travel is currently all but impossible the movies provide a way to visit other parts of the world—as they always have. And it was of tremendous importance to writer/director John Patrick Shanley (“Doubt,” “Moonstruck”) that Ireland, the land of his forefathers, be a main character in his new film “Wild Mountain Thyme,” adapted from his play “Outside Mullingar.”

Even as we spoke on the phone last week, filmmaker Errol Morris said he was still putting the finishing touches on his new documentary, a version of which I had seen not long before the Oscar-winning director of “The Fog of War” and “Gates of Heaven” chatted with me from his home in Massachusetts.

Until recently, he was still color correcting and filling in the musical score. Letting go of the “final edit” is often the most

Alan Ball continues to amaze with his explorations of the human condition, not just for gay Americans but for anyone who has ever had a secret, felt at war with himself or seeks to better his or her situation. The writer of “American Beauty” and creator of the HBO series “Six Feet Under” has written and directed a new film, “Uncle Frank,” that explores many of the themes common to all of Ball’s work, and does so in a thoroughly compelling

Han Van Meegeren was such a cunning, apt artist that he convinced the world his own paintings were actually painted centuries earlier by Dutch master Johannes Vermeer. In fact, such a believer in his own talent was Van Meegeren that during World War II, he sold one of his phony Vermeers to Hermann Göring himself.

The postwar aftermath of this incredibly unlikely but true tale forms

Like nearly all film festivals in 2020, DOC NYC has switched to a virtual paradigm this year, but the quality of nonfiction films coming out of this celebration of the factual is still wondrous. The festival kicks off Wednesday and goes on until the 19th. There are so many great offerings this year, and it’s nearly impossible to catch them all, but here are some quality entrants to keep on your radar.

Stephen and Alexa Kinigopoulos wanted to make a movie where they came from. The siblings, who co-directed the new psychological thriller “Fishbowl,” grew up near Baltimore, and so when they were seeking a setting for their film, they simply cast their gaze out the window.

“When you’re surrounded by those locations every day, you maybe see them differently. And it’s always great to shoot in places that helped make you who you are,”