In this wonderful series (based on his own 1986 film) Spike Lee’s “She’s Gotta Have It” is a natural yet cinematically exhilarating look at Nola Darling, a modern black woman who makes no apologies as she navigates through her life and relationships on her own terms.

Unambiguously set in 2016 (and 2018 for season two) this vibrant series has pure delight in every episode.

HBO’s “Deadwood” was a rather brilliant parable of corruption and violence that forever changed this country. The show’s now infamous “Deadwood Speak” (courtesy of the great David Milch) and its rich detail to character made it something truly unique.

Fans were floored when the show was abruptly cancelled after season three and argued their favorite characters and s, at the expense of fluidity.

1986’s Chernobyl accident was the result of a flawed reactor design operated by inadequately-trained personnel. The disaster was the only accident in the history of commercial nuclear power in which radiation-related fatalities occurred. It’s estimated that the incident resulted in as many as 93,000 fatalities.

The HBO miniseries “Chernobyl” examines the domino

Lite De Palma can still be good De Palma. “Domino” sees the master-filmmaker working with a lesser script yet coming out on top.

The director had made clear his disgust with the making of this film, whose production at one point was in danger of being shut down because of money issues. De Palma still insists many crew members hadn’t been properly paid and says that this “was

In the male-dominated film business women filmmakers have always been too small a minority. There is progress being made but women’s voices deserve to be heard more often.

My look at Women filmmakers continues with Dee Rees, film director and screenwriter. Rees is an alumna of New York University's graduate film program and a Sundance

A recipient of the Palme d’Or, the Silver Lion, and an Academy Award, Jane Campion is one of the most successful female directors in the history of cinema.Campion’s first feature film, “Sweetie” premiered at Cannes in 1989 where it was greeted with boos but has since been claimed as a hallmark of the director’s iconoclastic style, with its black humor, striking visuals and its penetrating look at dysfunctional suburban family life.

Race, class, social injustice. Our country has struggled with these since forever and cinema provides the means to address issues and heed the call of activism and resistance through art.In these dangerously unstable times “Blindspotting” has led the charge and turned the camera on us. When the film came out last year, it was a striking debut for first-time filmmaker Carlos Lopez Estrada (Estrada had directed