Every mobster’s life is filled with the ghosts of the past and the nightmares of the dead that come back to haunt them. It is a dangerous life ruled by guns and muscle and stained in blood. Men like Al Capone were monsters and far from the sometimes-glamorous portrayals that we have seen countless times before. Gangsters are murderers who, we can only imagine, are ultimately haunted by their deeds when their

2020 America is not the time or the place for the intellectual. We are living in a time that is aggressively pushing back against science and rational thinking. Extremely important environmental issues are being sidelined and/or dismissed by too many people in positions of power.

But there was a time, a time when idealists would come together to collectively find ways

Being historically accurate in film is tough. Dramatic license is [...]

(in this series we present five short films selected by the 2020 Tribeca Film Festival)

This is an important time in America. This country has always been blanketed under the hypocrisy of touting itself as the “land of the free” and one where “all men are created equal,” while our government creates policies and procedures to ensure that people of color and any minority

The eighties were a fruitful time for the fusion of films and pop music. Never was there a time when the pop charts and the weekly box-office complimented one another as often as they did then. It got to the point where a film’s popularity would sometimes depend on the success of its soundtrack. Eighties-era MTV was a willing participant in the crossover promotion of big Hollywood films, as a hit video from a film’s soundtrack

“The Sharks” ("Los Tiburones" in the original Spanish title) is something special. Uruguayan writer/director Lucía Garibaldi's feature-length debut is a coming of age tale that gets to the heart of its subject without judgment or forced and phony life lessons. This is a careful and organic look at a teenager on the cusp of becoming a woman.

Almost overwhelmed

What can one say when a great performance is lost on a film so enamored with itself that it becomes less and less endearing from scene to scene, finally burying any good graces it may have had?

The answer? An unfortunate negative take on the new comedy, “Lazy Susan.”

Sean Hayes is the unambitious Susan O’Connell. Susan can’t hold down a job nor do what