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AnthonyFrancis

  • Featured Review,In Theaters Now,Movies

    Some thoughts on the pedestrian Ben Wheatley-directed “Rebecca” (hint: we did not like it all that much)

    The new Netflix produced “Rebbeca” is a film haunted by the very present ghost of Alfred Hitchcock’s 1940 Oscar-winning namesake, also adapted from Daphne du Maurier’s 1938 gothic novel.

    Armie Hammer, who is carving out an interesting career for himself and who can be great, is much too wooden in his portrayal of the dashing and wealthy heir Maxim de Winter.

    October 25, 2020
  • Featured Review,In Theaters Now,Movies

    Mystery-tinged historical thriller “Fanxiao” (“Detention”) harks back to a dark period of Taiwan’s history

    Taiwanese director John Hsu’s first feature length film is a political statement disguised as a historical thriller tinged with moments of horror.

    “Fanxiao” (“Detention” in the Mandarin original) is a compelling and generally effective hybrid that walks its characters through the hell of existing in a dystopian society while confronting the difficulties of their reality.

    October 21, 2020
  • Featured Review,In Theaters Now,Movies

    Driving upstate and the world ends, “Save yourselves!”

    “Save Yourselves” is a blend of indie relationship comedy, social commentary, and sci-fi/horror that is a unique and quirky little pleasure to help get you through the chaotic year that is 2020. As Kyoshi Kurosawa did so well in his prophetic 2001 Japanese horror film “Kairo” (“Pulse”), this film warns against the dangers of disconnecting; from the world, from our families, and from ourselves. Too much internet, for whatever the reason, causes us to lose

    October 19, 2020
  • Featured Review,In Theaters Now,Movies

    Our bestest five from this year’s Spooky Movie Fest (REVIEW)

    Happy fifteenth anniversary to the AFI Silver Theater’s Spooky Movie International Horror Film Festival! Over the years, this festival has blossomed into the Maryland/D.C./Virginia area’s premier horror film festivals and stands as the most popular genre-fest in the Mid-Atlantic region.

    Each year, filmmakers from around the globe enter their works, be they big budget or small, vying for a spot. The festival’s main

    October 14, 2020
  • Featured Review,In Theaters Now,Movies

    “All in: the fight for democracy,” directed by Lisa Cortés and Liz Garbus, not only seeks to reveal ongoing voter suppression fraud but also inspire Americans to protect their democracy | REVIEW

    There’s no other way to begin than to say Lisa Cortes and Liz Garbus’s new documentary “All In: The Fight for Democracy” is the most important film of 2020.

    Voter suppression. Let these words sink in. Voter suppression has been in play for hundreds of years. As the film reminds us (or rather, those who need to be reminded), the constitution starts with three words, “We the People.” But who are “the people”? When it was

    October 5, 2020
  • Featured Review,In Theaters Now,Movies

    “The Glorias,” Julie Taymor’s rendition, at times rushed, nevertheless stands as a potent tribute to the life of Gloria Steinem | OUR REVIEW

    “The Sun is female. The Moon is male. The sun is always there. The moon comes and goes” - Gloria Steinem

    The release of Julie Taymor’s “The Glorias” couldn’t have been more timely. Ruth Bader Ginsburg has died and the country stands on the precipice of the most important election in American history, regarding so many things but especially regarding the rights of women. In 2020, the fact that we are having to

    September 28, 2020
  • Featured Review,In Theaters Now,Movies

    “Hi, I’m David, I’m forty years’ young” (FILM REVIEW)

    The video dating era of the late eighties and early nineties; pre-dating apps, pre-Match.com, and long before the phrase “swipe right” became an easy way to find a companion. It was a time when companies would hire a cameraman to record your video profile and you would go home and wait in the hope that the agency would find you a proper match. Those were the days. Or were they?

    In writer/director Jon Stevenson’s

    September 19, 2020
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