Actor Clayne Crawford impressed me with his performance in the excellent and underrated 2012 thriller, “The Baytown Outlaws.” In a film full of over-the-top violence and macho posturing, Crawford found a realistic tone to his performance which kept the film centered.

His film choices have been uninteresting and haven’t challenged him as an actor since this.

Crawford is back on my radar

In the opening moment of “Outlaws” (scored to the Doom-tinged sound of the song “Lunacy” from the Ambient-Rock group Swans), a leather-clad motorcycle gang cuts through the night streets like riders of an oncoming Apocalypse. It is a moment that immediately grabs and foreshadows the aura of the film.

Director Stephen McCallum immediately assures us that his first feature

In Tom Clancy’s excellent 1993 novel “Without Remorse,” a former Navy Seal Vietnam Veteran named John Kelly loses his pregnant wife in a car accident, befriends a former prostitute, helps her kick drugs, and finds her murdered by her ex-pimp who almost kills Kelly as well.

Seeking revenge by murdering pimps and drug dealers, Kelly decimates a drug ring, goes on a mission to rescue POWs and fights against political corruption and KGB moles.

After being canned for three years (allegedly due to pressure from the Los Angeles police department) Brad Furman’s “City of Lies” was rolled out last month.

Although it would have benefited from a longer running time and deeper examination into the facts (this story would shine as a three-hour street crime epic), Brad Furman’s procedural gets to the meat of the inquiry into

The Covid-19 pandemic has been hard on the entire world. 2020 and, so far, 2021 have been devastating economically but, most importantly, socially.

People are struggling everywhere to maintain their finances and their homes while a demon in virus form breathes its devilish fire on our planet.

I’d presume the new film

Shot in Los Angeles during the COVID-19 pandemic, the new film “I’m Fine (Thanks for Asking)” finds a single mother struggling to provide shelter and a good life for her young daughter after the unexpected death of her husband. Danny (played beautifully by co-writer and co-director Kelley Kali Chatman) has taken her young daughter Wes on an extended camping trip. The reality of their situation

Formulaic, “Marvelous and the Black Hole” is a coming-of-age tale that eventually wins over its audience with performances and an accessibility. Miya Cech is quite good as “Sammy,” a rebellious teen with repressed emotions regarding her deceased mother. Carrying a bad attitude that is only getting worse, Sammy acts out. Disrespect to adults (including back giving lip to her dad and sister) and getting in trouble at school