There is no comprehensive government data on the topic of police brutality, no real accountability.

According to the Lancet more than half of all police killings since 1980 do not appear in official government data. The undercounted police killings of Black Americans, particularly, is odious.

The brutal truth about these “United” States of America is that the country was founded on oppression and division, all of which culminated in an often-false rewriting of history.

Case in point: the Civil War was fought over the right to own slaves. This fact is undebatable. 

Rachel Boynton’s documentary, “Civil War (or, Who Do We Think We Are) is a relevant and important film about how t

It is not often that a modern film about teenagers avoids turning them into cliches. Even more rare is the film that doesn’t talk down to its audience.

It is refreshing to see a film such as Joel Soisson’s “My Best Worst Adventure,” a sweet coming-of-age story in which Jenny, a young woman, is sent to Thailand to stay with her grandmother after her mother

With a nod to the dreamlike opening to Paul Brickman’s 1983 classic “Risky Business,” writer/director Scott Boswell’s “A Wake,” opens (and ends) with an ambient melancholy led by a moody score from Tim Halo.

After the death of a teenager, his family struggles with the emotions of loss that come with his passing. Their family dynamic has been shattered, yet we find out

Matthew Berkowitz’s “The Madness Inside Me” takes the clarity of the need for revenge and twists it into a sexually-charged thriller of self-discovery and psychological manipulation. 

Madison (an extremely good Merrin Dungey) is almost overly dedicated to her job. A Forensic Psychologist, Madison sometimes goes too deep into the minds of the case studies she takes on. In his short opening scenes, her

Cinema needs more women filmmakers, more films created by people of color.

Horror cinema needs to be much more creative.

Director Nia DaCosta takes care of each of these issues with her strikingly excellent direct sequel to 1992’s “Candyman,” which stands (in this critic’s opinion) as the finest cinematic translation of Clive Barker’s work. The original film was based on Barker’s short

In 2012, Guy Pearce started in the sci-fi film “Lockout,” The actor played a man who was going to prison but is offered his freedom if he rescued POTUS’s daughter who had been kidnapped by inmates of a prison. (Sound familiar?)

Director John Carpenter thought so and successfully sued the screenwriter (filmmaker Luc Besson)