There is no doubt that The Coppola family gene is infused with above-normal talent. Gia Coppola’s sophomore effort as director, “Mainstream,” doesn’t reach the deeper level of her first film (2013’s “Palo Alto”) but she and co-writer Tom Stuart’s screenplay has a lot to say.

Frankie (Maya Hawke) is a young woman on a journey to find herself in an artificial world. She works in a dive that features

The Florida rodeo circuit is the setting for first-time filmmaker Tony Rammos’s documentary “Ride Till I Die.” The director uses this setting to examine the unshakable drive to be the best in the world of an unforgiving sport.

Professional cowboy Ricky Ringer has participated in rodeos for more than two decades. His specialty is bull riding, and his skills make him one of the best

The new film “Morbius” is exactly what you've come to expect from a Marvel film. A scientist, and an experiment gone wrong. In the comic book world, they will either become hero or villain. In the case of this film, it's a bit of both. 

All of this is followed by lots of underwhelming dialogue

Then comes the noise

Amy Schumer has struck gold with her new Hulu miniseries, “Life & Beth”, a heartfelt tale of a woman staring at 40, trying to sort out the kinks in her life.

We find Beth (Schumer), unsatisfied with her life, job (she is a successful wine salesperson), boyfriend, and relationship with her distant sister Ann (Susannah Flood)

“Deep Water” is Adrian Lyne’s return to filmmaking after twenty years. Now 82, his last film was 2002’s excellent “Unfaithful” starring Diane Lane and Richard Gere, a strong character-driven erotic drama.

Lyne’s best films (“Unfaithful,” “9 1/2 Weeks,” “Fatal Attraction” and his extremely undervalued 1997 version of “Lolita”) find an interesting balance of character

With “The Batman,” Matt Reeves has gifted 2022 with a surprisingly great film. Surprisingly, because it is yet another Batman film that comes too soon on the heels of a Batman film that came too soon on the heels of Batman film.

As Hollywood is constantly oversaturated with comic book movies, it has come down to the sad truth that these are the only types of films that get major push from the studio system.

Mimi Cave’s “Fresh” takes a long-understood truth, the dating world is difficult to navigate, and turns it into a affecting thriller that speaks to these times.

In the digital age, while it may seem easier, swipe left, swipe right, to find love, it's also tougher to be single and to be looking for someone to be with. Gone are the days of face-to-face chats.