Colin Trevorrow’s “Jurassic World Dominion” is simultaneously the worst James Bond film, the worst Indiana Jones film, and the worst film of the entire “Jurassic Park/Jurassic World” series.

So much of this film’s screenplay (written by Emily Carmichael and Trevorrow) is a pastiche of Bond film, Indiana Jones rip-offs, and call backs to Steven Spielberg’s original “Jurassic Park,” each scene making me think back on a time when all of this was new.

Brian Goodman’s “Last Seen Alive” is the cinematic equivalent of a filmmaker spitting in the face of moviegoers. It would be a travesty if the whole film wasn’t such a waste of time. A tired action movie plot is laid out with no ideas or originality, borrowing from better (and worse!) films, tricking audiences into thinking they will have a good time.  Gerard Butler is Will and he is going through

To describe David Cronenberg’s latest work “Crimes of the Future” as mere body horror is to do it a small disservice.

Make no mistake, this picture is very much a return to the world of the grotesque, an area where Cronenberg is a master, but the film’s screenplay (written by the director) holds much more.

Along with Richard Pryor, George Carlin was a groundbreaker in the comedy world. As Judd Apatow and Michael Bonfiglio’s documentary “George Carlin’s American Dream” shows, the comedian had a comic vision of Nostradamus-like proportions.

The film digs deep and gets to the soul of Carlin’s philosophies. The man could be called a comedic prophet, as his political and

Chris Sivertson’s “Monstrous” is driven by some interesting, if familiar, themes. Unfortunately, the director is not able to pull them off.

Written by Carol Chrest, Christina Ricci stars as Laura, a single mother who takes her young son Cody (Santino Barnard) to a remote new home, apparently trying escape her past and ex-husband. On the run from something dark, her new house certainly holds

Barry Levinson is known for his natural filmmaking style and ease with portraying realistic characters and dialogue. “The Survivor” is no exception.

His latest project is, likely, the loftiest one yet.

Working from a powerful screenplay from Justine Juel Gillmer, the film tells the

Police brutality. The one constant human rights violation in America.

Executive-produced by Michael B. Jordan, the new AMC miniseries “61st Street” is a legal drama focusing on the rampant and racially-motivated police savagery that takes place on Chicago’s South side.

Courtney B. Vance stars as veteran