To describe David Cronenberg’s latest work “Crimes of the Future” as mere body horror is to do it a small disservice.

Make no mistake, this picture is very much a return to the world of the grotesque, an area where Cronenberg is a master, but the film’s screenplay (written by the director) holds much more.

Along with Richard Pryor, George Carlin was a groundbreaker in the comedy world. As Judd Apatow and Michael Bonfiglio’s documentary “George Carlin’s American Dream” shows, the comedian had a comic vision of Nostradamus-like proportions.

The film digs deep and gets to the soul of Carlin’s philosophies. The man could be called a comedic prophet, as his political and

Chris Sivertson’s “Monstrous” is driven by some interesting, if familiar, themes. Unfortunately, the director is not able to pull them off.

Written by Carol Chrest, Christina Ricci stars as Laura, a single mother who takes her young son Cody (Santino Barnard) to a remote new home, apparently trying escape her past and ex-husband. On the run from something dark, her new house certainly holds

Barry Levinson is known for his natural filmmaking style and ease with portraying realistic characters and dialogue. “The Survivor” is no exception.

His latest project is, likely, the loftiest one yet.

Working from a powerful screenplay from Justine Juel Gillmer, the film tells the

Police brutality. The one constant human rights violation in America.

Executive-produced by Michael B. Jordan, the new AMC miniseries “61st Street” is a legal drama focusing on the rampant and racially-motivated police savagery that takes place on Chicago’s South side.

Courtney B. Vance stars as veteran

There is no doubt that The Coppola family gene is infused with above-normal talent. Gia Coppola’s sophomore effort as director, “Mainstream,” doesn’t reach the deeper level of her first film (2013’s “Palo Alto”) but she and co-writer Tom Stuart’s screenplay has a lot to say.

Frankie (Maya Hawke) is a young woman on a journey to find herself in an artificial world. She works in a dive that features

The Florida rodeo circuit is the setting for first-time filmmaker Tony Rammos’s documentary “Ride Till I Die.” The director uses this setting to examine the unshakable drive to be the best in the world of an unforgiving sport.

Professional cowboy Ricky Ringer has participated in rodeos for more than two decades. His specialty is bull riding, and his skills make him one of the best