• With the unveiling of its 66th edition's official poster the Cannes Festival pays tribute to Hollywood's power to generate wonderment. This year's bill features a photograph of Joanne Woodward and Paul Newman locked in a permanent kiss, as captured on set during the filming of "A new kind of love" (film was directed by Melville Shavelton; the year was 1963). The couple, who met during filming, would go on to perform in eleven

  • Rights to an in-the-works biopic about Yves Saint Laurent were just grabbed by the Weinstein Company. Film is to be directed by Jalil Lespert, according to a recent announcement by the film's French producers. The feature-length film will focus specifically on the early years of Saint Laurent's career when, at the ripe age of 21 he took over the Christian Dior couture house after the designer's untimely death, and three years later, along with his lifetime partner Pierre Bergé, created his own

  • The Wayne Blair-directed "The Sapphires" comes out tomorrow in New York and L.A. "The Sapphires" is a 2012 Australian musical comedy-drama film based on the 2004 stage play of the same name, itself derived from a true story. "Sapphires" is about four indigenous women, Gail (Deborah Mailman), Julie (Jessica Mauboy), Kay (Shari Sebbens) and Cynthia (Miranda Tapsell), who are discovered by a talent scout (Chris O'Dowd), and

  • Born in 1976 in New York Jonathan Levine worked as assistant to Paul Schrader on the film “Auto Focus” (2002) and two other short films, until he directed “All the Boys Love Mandy Lane” (2006) which marked his debut in the feature-length film racket. That teen-horror thriller rose well above the usual productions found under this genre. Levine the director made all the right noises, drawing from the movies which inspired him

  • Can Christian Bale do a good Moses? Charlton Heston was [...]

  • A sixteen year-old boy, Claude, (Ernst Unhauer) gradually insinuates himself [...]

  • After Luciano, the main character in Matteo Garrone’s new film “Reality” (out March 15th) gets the call from a T.V. studio telling him he’s made the first cut in a casting call for the reality T.V. show “Grande Fratello” (“Big Brother”), he gradually slides into full-blown paranoid megalomania. Watching him wait anxiously for the next round of callbacks is comical at first, until his affliction threatens to take him and his family down. It’s