A lonesome wanderer’s life is shattered by terrible news. He starts a long trek back to his childhood home to carry out a revenge kill.

The narrative device is simple: to provoke a reaction out of this vulnerable—pitiful, even—character named Dwight (excellently played by a Macon Blair who uses his puppy-dog look to cunning effect, gradually morphing into a cold executioner) ) and confront him to the unbearable fact that the man

YSL is mega-hot. This year not one but two different [...]

This year's selection in Cannes, while not being particularly exceptional in terms of big-name wattage, could lead to some interesting results. For example, this marks Xavier Dolan's first year bringing a film to the competition series (he's been at Cannes before, but was never in line to compete for the Palme D'Or). A win for Dolan would validate years of efforts and progress. This year also marks Jean-Luc Godard's return, so to speak.

Screen Comment has an official poster for Cannes (and we [...]

Here is one of the best (and most discomfiting) scenes from "Annie Hall" (1977) in which the funny conversation isn't the one taking place between the two protagonists Alvy Singer and Annie Hall but rather the one that's overheard between some holier-than-thou faux-cinephile who spends the whole scene shooting down Fellini and his companion. Alvy and Annie are standing in line to go watch "The Sorrow and the Pity" at the New Yorker

It’s been about two years now since Robert Pattinson slipped his fangs back in and ended his career as a gentleman-vampire. Two years, therefore, since we haven’t heard about him on the cover of magazines, leaving the popular press with a 90% space shortfall to fill with other things between 2008 and 2012. Fans (and they are legion) who’ve been mourning him are now breathing a collective sigh of relief : Pattinson isn’t dead yet, and in fact

PARIS - A kind of good-humored anticipation is manifest inside UGC’s Normandie movie theater on the Champs Elysées: today we find out who the Cannes nominees are. I plop into a chair next to a friend, who, punctual as always, already found his seat. We come out of the theater about an hour later, our marching orders in hand. Eighteen films in the competition series, and eighteen other ones in the Un Certain Regard program.