Combine Stephen King with David Lynch with a touch of John Carpenter and you'll get an idea of what "It follows," slated for release this March, is like. Scary just as well as moving, "It follows" is a sorta horror flick that trains the spotlight on the intimate (and intimately strange) lows and peaks of adolescence and slathers in in angst and fright. In "It follows" nothing goes as planned, but that's just kinda like adolescence, though, isn't it?

Over a week ago the seventieth anniversary of the liberation of Auschwitz by Soviet troops was marked. Auschwitz is an emblem, a name that's burned in humanity's collective soul and one that behooves us to pay attention, to understand, and to never forget. In another seventy years, there won't be any survivors left but this anniversary will be observed again, presumably, and every seventy years after this. As participants in this

After exploring the Stasi period in "Barbara" German filmmaker Christian Petzold here goes a step backward to take in the aftermath of the Nazi debacle with his lens in "Phoenix," a film currently being shown in Europe and headed for theatrical here in late 2015. As was the case in most of the filmmaker's previous films the luminous actress Nina Hoss has the leading role, this time that of Nelly, a survivor of the Auschwitz camp

When you get old you become invisible, apparently. That’s what our parents and grand-parents tell us. We probably are aware that we don’t notice old people as much. What about if you’re gay and old? Gay activists are thought of as being youthful rabble-rousers filled to the brim with energetic conviction, ready to turn the establishment on its head. Does that mean that the older generation of gay men should stop living

Pierre Lescure, the new president of this upcoming 68th edition of the Cannes Festival, quickly took to the media this week after it was announced that this year’s jury would be presided over by the Coen Brothers. "These geniuses of dark humor, these portrait artists we love so, cutting and tender all at once, a balance between popular and independent.” is how Lescure described the Coens in a brief interview given to French radio RTL.

FRANCE - This week, the right wing-leaning mayor of a small Parisian suburban town ordered local theaters to take the film “Timbuktu” (directed by Abderrahmane Sissako) off its program slate “in the name of the fight against glorifying terrorism.” The terrorist attacks that occurred in France last week have had many consequences, this incomprehensible cancelation of “Timbuktu” by Monsieur le Mayor being the collateral

The New York-based INDEPENDENT FILM PROJECT, an incubator for indie-minded [...]