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All articles by Ali Naderzad

  • CANNES 2025,Featured Review,Festivals

    CANNES FESTIVAL, “Krotkaya” (“A Gentle Creature”)

    There’s something mildly sadistic about a master-filmmaker botching his own, brilliant, film with an underwhelming ending, such as that which Sergei Loznitsa did with “Krotkaya” (“A gentle creature” in the Russian original). A woman whose husband is in prison gets the care package she’d sent to her husband returned to her. A delivery attempt was made, person is no longer at that jail cell. In want of news she sets off

    May 25, 2017
  • CANNES 2025,Featured Review,Festivals,News

    CANNES FESTIVAL, “Tesnota”

    The first thing that I noticed while watching Kantemir Balagov’s new film “Tesnota” (“Closeness” in the original russian) is the performance by lead actress Darya Zhovner. Her Ilana, the character from whose point of view the film is told, is a tomboy who works in her step-father’s garage and whiles away the days hanging out with her boyfriend. Zhovner, for whom this film represents a first role (she graduated from Moscow’s Art Theater

    May 25, 2017
  • CANNES 2025,Featured Review,Festivals,News

    CANNES FESTIVAL, “The Beguiled”

    Ever since “Marie Antoinette” filmmaker Sofia Coppola has seemed to suffer from indolence, and that was the case again with “The Beguiled,” her new film debuting today in Cannes. I could not get into this movie in spite of its bravura visual palette, its many funny moments and primo cast composed of Colin Farrell, Kristen Dunst and Nicole Kidman. It’s three years into the civil war. Farrell plays Corporal McBirney

    May 28, 2017
  • CANNES 2025,Featured Review,Festivals,News

    CANNES FESTIVAL, “The Killing of a Sacred Deer”

    Characters in Yorgos Lanthimos’s movies seem moved by strange spirits and unknown motivations. From the beginning of “The Killing of a Sacred Deer” questions come up: what is the relationship of Dr. Steven Murphy, an established surgeon, to Martin (Barry Keoghan), a teenager who has no connection to the doctor or his family? Why is Martin so weird, anyway? Martin’s father died on the operating table a couple years earlier.

    May 28, 2017
  • CANNES 2025,Featured Review,Festivals,News

    CANNES FESTIVAL, “How To Talk To Girls at Parties”

    Two men at an Andre Balasz properties hotel step inside [...]

    May 23, 2017
  • CANNES 2025,Featured Review,Festivals,News

    CANNES FESTIVAL, Lanzmann in Cannes with “Napalm”

    Filmmaker Claude Lanzmann traveled to North Korea three times in [...]

    May 23, 2017
  • CANNES 2025,Featured Review,Festivals,News

    CANNES FESTIVAL, “Le Redoutable”

    In his latest film "Le Redoutable" Michel Hazanavicius looks at Jean-Luc Godard’s life at the peak of his career, a period that coincides with a time of great upheaval in France. The backlash from the Vietnam war could be felt from afar, the French had their Mai 68 and many a filmmaker, including Godard, led the rebellion against symbols of power, whether it was the state, the big corporations or even a certain kind of cinema. The times were a-changing and Godard

    May 23, 2017
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