On July 3rd, 2017, desperate for help and with seemingly no one taking his complaints of pain seriously, retired Marine Brian Easley walked into an Atlanta-area bank, gently informing a clerk that he had a bomb. He didn’t want to rob the bank, he insisted; he simply wanted the money he felt the VA had denied him for his own care.

He also wanted to be heard. Easley phoned both

As the opening of director Alex Pritz’s interesting new documentary “The Territory,” informs us, the Uru-eu-wau-wau people of Brazil were discovered by the country’s government in the eighties.

The area of Uru-Eu-Wau-Wau occupation went from the valleys of the Madeira (to the north), Machado (to the east), Guaporé (to the south) rivers and on to the Mamoré

Near the end of the new action headache “Bullet Train” a character is trying to stop the titular train as it speeds out of control. Desperately trying every switch and button he screams for the roaring machine to stop. 

After the first forty-five minutes of “Train” I wanted the same thing. 

“Bullet Train” is a live-action cartoon of violence and over-the-top madness

Released thirty-five years after John McTiernan’s “Predator” “Prey” by Dan Trachtenberg arrives as a most welcome gift.

I pray to the cinema gods every year in the hope that Hollywood will produce stronger and more interesting films, be they serious fare, comedy, or action, all I would like is quality productions with vision put into screenplay and design.

The strange casting of Juliette Binoche as an American truck driver is the jump-off point of the new film “Paradise Highway,” a thriller that is done in by underwhelming writing.

First-time feature filmmaker Anna Gutto (she also wrote the screenplay) creates some interesting and potentially tense situations but the actions of her characters prevent her from being able to bring it all home.