PARK CITY, Ut. - Documentaries need not be lengthy to explore a fascinating subject, as I learned at the “Documentary Shorts Program 2” at Sundance. In “All That Perishes at the Edge of Land,” filmmaker Hira Nabi’s camera magnificently captures the “ship breaking” industry of Pakistan, which employs the poorest of the poor to disassemble obsolete carrier vessels for scrap. The ships grounded ashore in the region
Park City, Ut. | Filmmaker Bao Nguyen didn’t mince words when we sat down in a house not far from where his documentary about Bruce Lee, called “Be Water,” premiered at Sundance this week.
Nguyen idolized Lee as a young man because there were rather few Asian and Asian-American actors on U.S. television and in movies in those days. When Lee was trying to get his start in Hollywood, World War II was only a few
Park City, Ut. | Steve James loves Chicago. The city helped to ensure his place in the pantheon of great documentarians thanks to “Hoop Dreams,” widely considered one of the greatest non-fiction films ever made. But in the twenty-five years since that documentary about inner-city high school basketball, the Windy City has continued to give James opportunities to tell its stories. There was “America to Me,” a look at some of the city’s
PARK CITY, Ut. | (Film critic Eric Althoff is in Park City covering Sundance 2020 for Screen Comment) Matt Yoka found a rather unusual Los Angeles treasure trove in an unassuming storage unit. There, in multiple boxes, sat some 3,200 ¾ inch Betamax tapes of helicopter news footage, all of it captured in the nineties by a now-defunct aerial news firm called Los Angeles News Service.
Santa Barbara International Film Festival is up against Sundance this year, so the demands for top independent films are especially heightened this season, as are the demands on stars like Brad Pitt (bestowed an honor in California) to choose one or the other.
As always, there are unexpected gems, including a rather offbeat comedy from South America I was able to see (review below)
In the last decade twin sisters Jen and Sylvia Soska have doggedly pursued film ventures in the horror genre. Armed with ingenuity, a DYI ethos and a pledge to frighten honest, hard-working people, the Soskas have acted in, directed, screenwritten and produced movies that would give Lloyd Kaufman and Eli Roth a run for their money.
The Soskas have directed such films as “Dead Hooker
“Church & State” examines the remarkable true story of an inexperienced gay activist who, in partnership with a Salt Lake City law firm and members of the local LGBTQ community, successfully ended Utah's ban on gay marriage.
Mark Lawrence, a middle-aged gay man, led the charge for gay marriage equality in Utah. He’s a bit of an acquired taste (he’s so off-putting to some that it made him