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May 2019

  • CANNES 2025,Featured Review,Festivals

    CANNES FESTIVAL – A so-so “Frankie” gets elevated by a great performance by Isabelle Huppert

    An exotic locale in beautiful Portugal, an unaffected and powerful performance by a star actress and existential worriment. This is what you can expect from “Frankie,” an ensemble film directed by Ira Sachs that’s asthmatic and lacks energy but fascinated me, nevertheless, because of its main actress Isabelle Huppert and her incredible on-screen presence.Huppert is one of France’s biggest names.

    May 25, 2019
  • CANNES 2025,Featured Review

    CANNES FESTIVAL – “Young Ahmed,” a story of mental bondage

    It’d be understandable to interpret the new Dardenne Brothers movie as finger pointing at the insidious and virulent strain of religiosity that’s going around the world right now, that is, Islamism. But enslavement, of the mind, a boxing in, seems more like the point of this pleasurable new opus by the directors of “Kid with the bike.” Enslavement to someone else’s viewpoint, a submission to a code of beliefs that’s toxic

    May 25, 2019
  • CANNES 2025,Featured Review,Festivals

    CANNES FESTIVAL – “A hidden life,” a Terrence Malick film in Cannes

    Terrence Malick has directed “A Hidden Life,” a very enjoyable contemplation on World War II, on freedom, on good and evil, and on God. His film asks, where was God during WWII?Radegund, a beautiful village in the Austrian Alps . Franz Jägerstätter, a conscientious objector, refuses to fight for the Nazis or to pledge allegiance to them. Franz has a farm in these beautiful mountains that he tends to with his wife, Franziska

    May 26, 2019
  • CANNES 2025,Featured Review,Festivals,News

    CANNES FESTIVAL – Moving and magical PORTRAIT OF A LADY ON FIRE

    The year is 1770. Marianne (Noémie Merlant), the daughter of a renowned painter and a painter herself travels to an island off the coast of Brittany, tasked wit painting the portrait of a noblewoman, Héloïse (Adèle Haenel). Héloïse has recently left the convent where she led a life of seclusion because of a family tragedy: Her sister has met a tragic end on the verge of marrying a Milanese gentleman. Her mother (Valeria

    May 26, 2019
  • CANNES 2025,Featured Review,Festivals,News

    CANNES FESTIVAL – Diao Yinan’s WILD GOOSE LAKE

    A gang leader on the lam in search of redemption. A prostitute eager to gain her freedom back. Together they will decide to play one last gamble with their fate, the proverbial last big hit. Within this narrative proposition, a discrete romantic plot that will come to fit within the film’s dramatic structure. This is “Wild Goose Lake,” by Chinese director Yi'nan Diao, a film that’s inferior to his previous ones. It’s convoluted

    May 26, 2019
  • CANNES 2025,Featured Review,Festivals

    CANNES FESTIVAL – Cornel Porumboiu’s “La Gomera” (“The Whistlers”)

    Despite its non-chronological narrative and slightly-convoluted plot Corneliu Porumboiu’s new film “La Gomera” is a winner. It’s a film noir with a femme fatale, murders and a morally-questionable hero. “Gomera” references “The Maltese Falcon,” and has one scene that looks like a first take from “Psycho.” Add to this a mattress full of cash, a pious mother and scenes from the Singapore's Garden Rhapsody show and lots of waltzes

    May 26, 2019
  • CANNES 2025,Featured Review,Festivals

    CANNES FESTIVAL – They found love in PORT AUTHORITY

    (CANNES, France) - Ever loved someone from a different category as you? Different colors, different creeds and backgrounds can separate a lot of us from a lot of other us. How do we respond, what do we do, if cupid strikes? In Danielle Lessovitz film “Port Authority” two people, Paul and Wye, belong to different social groups in New York City’s downtown and outer-boroughs. Paul (British actor Fionn

    May 26, 2019
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