For a woman, surely, there can't be many life experiences as dreadful as rape. Even so- called "consensual" sex can be hard to bear when, for work-related or other reasons a woman has to give in to a man in whom she has no interest, in the best of cases, or by whom she is repulsed, in the worse. Think creepy, porcine Weinstein. But rape, sexual harassment, abuse, pay inequality, when pay there is--and you can no doubt add to the list

One of the best films to come out of Tribeca this year was “Mary Shelley.” The period biopic about a woman was not only directed by one, Haifaa Al Mansour, but also but produced by one. For over two decades Amy Baer has been a creative force in entertainment. The former President and CEO of CBS Films spent seventeen years at Sony Pictures Entertainment where she helped develop various films, some that went on to gross

There were many films at the Tribeca Festival, many about women, and many others directed by women. “Mary Shelley,” starring Elle Fanning, is not only both, but perhaps was one of the best films at this year’s Tribeca Festival, which ended recently. As the title suggests, "Mary Shelley" tells the story of the nineteenth century-author who penned the horror classic “Frankenstein.” And in a case of irony as poetic

This has been one of the strongest selections in years, with crowd-pleasers like "Leto" and fully-accomplished films like "Dogman" making an impression on festival-goers. The addition of press screenings to the schedule grid, better organized secured access to the Palais also helped make this seventy-first edition of the Cannes Festival an exceptional one. The jury annoyed and frustrated me by giving Jean-Luc Godard

“Knife + Heart” is a surrealistic and zany whodunit slasher inspired by the Italian giallo genre and directed by French director Yann Gonzalez. This is his first film in the official selection. In 2013 he presented “Les Rencontres D’Après Minuit” at Critics Week, one of the parallel sections at the Cannes Festival. “Knife+Heart” is a candidate for a Palme D’Or.Did you know? Anthony Gonzalez, one half of L.A.-based French band M83, is the brother of Yann Gonzalez

Everything about “Capharnaum” looked good, for a while. Nadine Labaki, its talented filmmaker, the trailer (“some squirt with killer looks stands in front of a judge in a Beirut court and tells him, “I want to sue my parents for having given birth to me”), the promise of a social drama examining Lebanese society, a film by a woman, going up for the top prize in Cannes. Labaki set out to make a movie about childhood. When young Zain

There is much going on in David Robert Mitchell’s new film “Under the silver lake,” one of the most thematically-dense feats of hardboiled storytelling of this 71st Cannes Festival. In this highly-entertaining “Lake,” to be catalogued under film noir, a tormented, and unemployed, young man, Sam (Andrew Garfield) who dreams of being famous, notices a new occupant in his L.A. apartment complex. Sam is intelligent