• After too many Metaphysics 101 (Malik’s “Tree of Life” and Gaspard Noe’s “Love” come to mind) and anguished what’s-the-meaning-of life questions awkwardly addressed, Denis Villeneuve’s “Arrival” takes us into adult territory. The Canadian filmmaker has already accustomed us to his diverse and masterful corpus of works, so his venture into Twelve spaceships, for lack of a better word, land in various parts of our planet where they

  • The feel-good La La Land, director Damien Chazelle's prohibitive awards favorite, is a movie of mystery. Can Emma Stone sing? (She can.) Can Ryan Gosling sing and dance? (As a singer, he makes an OK dancer.) The real and lasting question rising from its smoggy, sunny success, however, is this one: Why don’t they make more musicals? Every week a pigeon flies in from “The Death of Cinema”-land with a horror story about