The reserve of goodwill directed at filmmaker Benh Zeitlin is [...]

There’s potential for vice in the leitmotif of Ulrich Seidl’s [...]

For the Bondurant gang, purveyors of apple brandy in the depression-era south, legend--their own, that is--is the stuff that makes the world turn; their illegal business thrives on it. That they are viewed as invincible by foes helps keep the deck stacked in their favor and keeps the moonshine dollar flowing in, the occasional shootout with a rival notwithstanding. When Forrest (Tom Hardy), the eldest of the Bondurant brothers gets

Could there be a better week for Sacha Baron Cohen to release a film called “The Dictator”? A few days ago, Cohen parked a camel in Cannes, in what seemed like the first act of a cult of personality. Pairing a touch of showmanship, a frisky film, and the spotlight of the festival, the star of “Borat” all but declared himself the worldwide ruler of comedy. Like many public rituals under totalitarians, “The Dictator” is long on stagecraft but a little

The Un Certain Regard (U.C.R.) program was officially launched during [...]

Judging from the line of people waiting to get into a still-closed Théâtre Lumière (seating capacity: 2,281) at 7:45 this morning the anticipation was high for Jacques Audiard’s return to the Croisette, “Rust and Bone.” It was in this same theatre that three years ago we discovered the history- and career-making “A Prophet,” one of the best films made in the last twenty years. One can’t help wondering if the self-effacing Audiard felt any sort

There are a million stories to be told from post-revolutionary Egypt but they won’t be told by an Egyptian filmmaker. The narrative of Yousry Nasrallah’s “After the Battle” which he wrote himself and which will have its premiere today in Cannes, held promise: as Egypt is still in the throes of revolutionary fervor an unlikely alliance forms between two people from different ends of the social spectrum who, under normal circumstances, might